30 Jun 2011

In the book I'm reading I've come across mention of the amazing Phaistos Disk, yet another example of how astonishing the ancient Greeks were (okay, in this case they were Cretans, not mainland Greeks). What is it? It's a circular clay tablet with characters stamped onto it on both sides, in a spiral.

We don't know what the characters say - there aren't enough examples of this writing to do a proper linguistic analysis of it to crack the language. These characters exist on this disk and nowhere else. Since the characters are perfectly identical they are clearly from forms or blocks and stamped into the clay - movable type! Why is this so remarkable? Because this artifact can be confidently dated to circa 1700 B.C., 3,155 years before Gutenberg! There are times I think the Lord took a big bag of excess intellect He had lying around somewhere and simply dumped it into the Aegean region; it sort of coagulated and took ultimate effect c. 500 B.C. and has illuminated the world ever since.

The writer uses it to describe a sort of technological dead end. Why didn't movable type catch on in prehistoric Greece? Why did we have to wait until medieval Germany? The writer gives a number of reasons, not the least of which is the use of clay tablets. By 1455 in Germany ink and paper had been developed, so the use of movable type made perfect sense. In Greece it was a flash of genius well before its time had come.

I saw the greatest little ad last night, Dunkin' Doughnuts Captain America. I bet I'll like it better than the upcoming major motion picture treatment. Kudos to the ad agency who came up with this one!

I bought a CD of Marvin Gaye Motown hits at a yard sale on Saturday and have been listening to it all week. What's Going On? is a great song and my favorite cut on the CD, but my favorite soul singer remains Al Green. I painted much of the garage to the strains of his early Seventies songs.

I have Webelos Den meeting tonight, but one of my assistant den leaders is running the show. The topic is the Citizenship pin requirements. I serve as the adult (there are always more than one due to BSA youth protection requirements) who tells one particular kid to get off the tables and another to come out from behind the curtain. It's funny: I've been doing scouts (Boy and Cub) on and off since 1988, and over and over again I've noticed that those curtains have been an almost irresistible hiding place for a certain class of boys. The sad thing is that time has shown me that those "curtain boys" have never done especially well in life later on. Problems with drinking, crime, the police or simply a waywardness... it seems I can spot it early on by the predilection of a kid to hide in the curtains during meetings. In fact, a few months ago I found one of my 1996 curtain boys on an Internet police page for sex offenders. What do they have in common? Mostly, an absent father, or in one case, a checked-out mother. It's very very sad.

I found the most interesting web site last night: The American Heraldry Society. Being a buff of medieval history, I have always found this stuff rather fascinating. Among this site's many interesting articles and features are the heraldic crests of some of our U.S. Presidents. (Yes, some of them have them, which is a bit of an odd thing in our decidedly democratic, non-aristocratic nation.) Eisenhower, the Reluctant Knight is especially interesting reading. And the one for George Washington is seen all over D.C. - it serves as the city's insignia and flag.

The story about Ronald Reagan's makes for instructive reading, and emphasises a point that I have always maintained: Despite what a product vendor claims, you cannot simply adopt the coat of arms from some family who happens to share your surname. You have to do your own research and establish a link. Genealogy Without Documentation is Mythology!

The fact that Bill Clinton has arms surprises me a bit, but not as much as the design. The design looks professionally executed. I was expecting a crest divided into fourths, with a blue dress, a cigar, a thong and a bill of impeachment thereupon, all surmounted by a crest: a shrew (Hillary).

As it turns out, I can bear a heraldic crest and be absolutely legitimate about doing so. My mother's mother was a Demers, a French-Canadian family from Quebec. I can trace the family all the way back to the early 1600's, in France. There is a genealogical society called the Association des Famillies Demers (Demers Family Association) which has designed arms for the organization (and the family). They are shown above. But what kind of American insists upon flashing a heraldic crest? What would I do with it - paint it on the side of my Hyundai? Have it etched on our stemware? Include a .jpg on correspondence my printer spits out? Tattoo it on my back?



29 Jun 2011

My Burbank friend Mike's son has the ride: a restored 1942 Ford Jeep! Seats four and has a mount for a .50 cal. machine gun... awesome... Mike says it's a blast to tool around town in. When I visit next month I want a photo - and a ride! It's parked in an interesting place and way, too. Mike's house has an original carriage house (c. 1890-1910) as a part of the property - the Jeep can be stored in it sideways!

Speaking of Burbank, I finally posted the collection of DeLos D. Wilbur photos I've been working on for a while: The Photographic Legacy of DeLos D. Wilbur. It's a nice feather in our Burbank history caps: there are shots in here from early Burbank in 1917 I'm reasonably confident don't exist anywhere else. It's nice that this collection turned up in Burbank's centennial year - our little contribution to the celebration. Now I'm waiting for some descendant or relative of DeLos Wilbur to do a google search, come across it and contact me... it has happened before on similar stuff I've posted to the web. I always like to help people on their genealogical breakthroughs...

I'm half-way through Guns, Germs and Steel by Jared Diamond, which purports to answer why Europeans conquered the New World and not the other way around. There were a couple of really dull chapters on crops and animals (this book is nothing if not detailed), but the story picked up somewhat. I'm now on the section about various writing systems evolving throughout the world. Writing is an important cultural advantage: with it, harvests can be efficiently administered and a large bureaucratic government can be established, which leads to an efficiently constructed standing army.

Diamond's contention is that a farming society will always have military advantages over a hunter-gatherer society: more efficient and constant food production methods will sustain a larger population which can, in turn, organize and form a structured, bureaucratic, city-based culture which can more easily field an army, etc. So far it's convincing. Especially since he gave the example of a break-off tribe of Maori, the Moriori, who, due to environmental reasons, were forced to revert to becoming hunter-gatherers when they settled on the Chatham Islands. In 1835 a group of farming Maori from New Zealand landed and easily massacred them, "...according to their custom." So much for the myth of the peaceful, non-white natives living in harmony with one another. Hitler didn't invent genocide.

Convincing also is his illustration of the axis of the continents, which is something I have never considered: North and South America have a north-south axis; so does Africa. Eurasia has an east-west axis. The advantage here is that the similar climate across Eurasia supports consistent crop yields among a western migrational people - and therefore city cultures. On a north-south axis, each region is on its own to domesticate a crop that is suited to the regional climate, which hinders the development of city cultures (and therefore technology, larger populations, etc.)

His section on germs was interesting, as well. The argument is that farming societies encourage a higher human population density per unit land, and cities. That being the case, over time, the population becomes more immune to certain types of diseases which develop when humans live close together. When these civilizations come into contact with people who haven't lived as densely packed, a terrific biological advantage is noted: lethal epidemics among the native civilizations. It (in addition to technology) is what famously enabled the Spanish to subdue a vastly larger Mesoamerican population.

Last night my son and I watched Duncan Jones' Moon (2009), a science-fiction flick made for only $5 million. It was... okay. While I was not terribly impressed with it when I finished, I find that as I think about it I like it more. I should mention that Duncan Jones is perhaps better known as Zowie Bowie, son of David and Angela Bowie. During the film Ethan and I pondered whether or not David Bowie contributed any high-tech inner knowledge of the Moon based on his freakazoid Ziggy Stardust Major Tom Wild Eyed Boy From Freecloud eyepatch jive space boogie personas. We agreed that the film seemed to be based far more on Stanley Kubrick's 2001: A Space Odyssey.

Speaking of David Bowie, I was surprised to find that during last week's Pajama Club/Neil Finn concert the band swung into a completely unexpected version of Bowie clone Gary Numan's 1979 song Are "Friends" Electric? Why that song?, I wondered. Haven't heard it in decades. Now, of course, I have the stupid thing stuck in my head.

And, continuing my train-of-thought progression speaking of people named "Jones," an e-mail exchange with a former Burbank High student the other day invoked a dormant memory of a classmate, this one a bit strange: Howard Jones. I think he was mildly retarded, but I'm not sure. At any rate, he used to walk the school halls with a pretend microphone doing a sort of man-on-the-street interview. To him, we were all visiting the 1936 Summer Olympics in Berlin. At other times he pretended he was Adolph Hitler! He kept referring to my friend Mike as Mussolini. I didn't get a World War II persona; I avoided the guy.




28 Jun 2011

I watched a late period film noir (or noirish film) from 1958 last night, The Mugger. A police procedural, it was neither bad nor good, it just was. It did have one saving grace, however: brevity. That's what I like about old, low budget films and RKO quickies... you don't sit for over two hours bored with the explosions, unnecessary dialogue and unneeded plot padding that forms a part of many modern films. The Mugger was over in 74 minutes, so just as it was wearing out its welcome and you're waiting for the plot surprise you've already guessed at, it ends.

The Mugger was a bit more daring than virtually all of the noirs from the classic period, however, in that it used the words "rape" and "sex" a few times. And it had a somewhat daring plot (for the times): a young husband with a pregnant wife gets her sister pregnant as well, then murders her. (He telegraphed the plot surprise when he describes his sister-in-law to a cop as pretty with a real good figure a bit too enthusiastically.) I suppose back in 1958 this film might have been regarded as trash in some circles, and roundly denounced. Or it may have slipped in as a new style crime thriller - I don't know. There doesn't seem to be any commentary on the web about it.

As usual, the marquee art looks way more sensational than the film actually was. And the Spanish language version looks even more violent.

I framed the cool Top Gear poster my son designed for my garage wall - it looks perfect! I walk in there and smile. One friend, seeing the photos, said my garage looks better than his living room - hahaha! One last refinement, I think, then I quit for a while: I want to get Ethan to make me up an 8" x 10" or 11" x 17" print of a VW "Bubblehead" figure (see above - a neat little guy used as advertising in the 50's/60's who has a VW logo as a head) as a fake sign. I have to have some German industrial design elements in my garage somewhere; I love the Teutonic graphic art style.

Actually, what I really want in my garage I won't get: a Miller High-Life "bouncing lights" beer sign, or the mega Hamm's Sky Blue Waters sign I loved when I was a child. Too rare, too expensive, too alcoholic. I'll settle for the O'Doul's tin sign Ethan brought back from Salt Lake City (you can see it in the back in this shot)...

Come to think of it, there's another essential missing element in my garage: Ed McMahon. And, come to think of it, some Marine Corps thing. Hmmmm...

Anyway, I always liked booze advertising; you can read about it here, on the bottom half of my "Patio Culture" article.

I bought some mulch last night. I need to finish up my heavy lifting activities before I get my shoulder worked on - I won't be able to do much for months after that. In fact, I need to call the doctor's office and find out exactly what the healing and physical therapy schedule is. If the operation is July 26th I need to find out if I'll still be wearing a sling by the time of my daughter's wedding on October 8th. If so, I may postpone the surgery.





27 Jun 2011

Hooray, I finished the Garage Project! After getting home from work Friday I used some muscles I don't normally use and made myself nice and sore putting down the vinyl base, and did some other work. I also hung up some art on the walls. Looks great! Photos here.

Finally, my VW has a garage suitable for it. Even better, we made the last payment on it a few days ago... so now we own it! I'll be buying it a little present to commemorate... a wunderbar new battery. The engine turnover was a little chancy doing yard sales. Previous experience has taught me that you don't generally get much more than about four or five years on a battery. I guess I'll celebrate the financial stability of middle age with replacing a car battery preemptively, rather than going through hoops after the battery has died somewhere on the road, as is usually the case.

Actually, I'm not quite finished with the garage. I'm still working on a few ideas for the walls. For one, my son made me a cool Top Gear poster; I made a 20" x 30" print of it at COSTCO... that'll go up in one of the blank spaces I left. And then I want an I-5 California interstate sign (I drove it a lot when I was in the Marines and before, going to and from Del Mar with my Dad) - I can order one of those legally from here. With shipping, $74.50. Later on this year, I think...

(By the way, the manufacturer has a FAQ. Yes, you can legally own an interstate sign that meets all the specs for size, construction, reflectivity, etc. As long as you do not post it in public and can show a receipt for its purchase, you can own it. Having said that, I shall state that when I was in the Marines I had an I-5 one that, ahem!, I could not show a receipt for. Mom sold it when she retired and moved out of Burbank. I should have taken it on the plane with me to the East but didn't.)

Yard sales were only okay - there were a lot of them, but I didn't find much that was good. Let's see... I bought Marvin Gaye's Greatest Motown Hits (What's goin' on, brutha?) on CD for fifty cents, a couple of maritime books for my friend Don, and a red plastic Lego storage case for some as yet unborn grandchild.

Ethan and I watched an unexpectedly funny movie last night: UHF (1989), starring "Weird Al" Yankovic. Actor Sid Haig once said that a director can't make a cult film, only an audience can, but after seeing this I'm not so sure. It looks like Yankovic had cult in mind when he scripted it. Anyway, it's laugh out loud funny in places - and I don't often find that to be the case with comedy films. Read Weird Al's IMDb biography... I have determined that he's pretty cool and, apparently, a class act. (Despite the agony he puts his hair stylist through.)

Over the weekend I also watched Ricky Schroeder in The Lost Battalion (2001), an A&E production about an American World War I unit that was isolated in the Argonne Woods but nonetheless held out, and provided the key for the Allies to overrun the German line. Well... according to this production, anyway. Not being much of a World War I scholar I have no idea of what actually happened. I suppose I'll get into that subject sooner or later. Anyway, it was an okay film.

A guy who stumbled across Burbankia sent me an e-mail which began, "You dont remember me..." Ha! I remember everything. I told him that he used to sit in front of me in one class and told him we had a conversation about Berengaria of Navarre, the wife of Richard I. I was reading Northwest Passage at the time. There are times I scare even myself.


24 Jun 2011

Cari and I saw the Neil Finn concert last night at the Birchmere. Yesterday I wrote that I'd be disappointed if he didn't play any of his Split Enz or Crowded House songs. So, did he? No, not a one. Were we disappointed? Yes, absolutely. Perhaps some good old-fashioned corporate Expectations Management is called for by his publicist.

That being said, it wasn't a bad concert... his current band, Pajama Club (image at left), is an interesting ensemble. (A review is here.) Finn sings, plays guitar and writes most of the songs; at least, I could detect his hand in them pretty heavily. The genre was loud and pop/rock. In fact, the concert was so loud I had to stuff paper napkin in my ears. (I have a hearing test today - this should be interesting.) But Finn's penchant for multi-layered arrangements is intact: intermixed with the guitar effects noises he was producing I could hear some unexpected farty sounds being produced by a synthesizer.

His wife Sharon plays a very rudimentary bass; I play better and with more confidence than she does. But that doesn't matter, does it? When Paul McCartney drafted his wife as the keyboardist for Wings, it's not like he was getting a Vladimir Horowitz and he knew it. This is a spouse act, like Cari and I doing the garage floor. The other keyboard player/guitarist, Sean, was a rather sullen bearded young man who insisted upon wearing a toque. Looked homeless. Their roadie was a tall, untattooed Napoleon Dynamite-looking lad nicknamed "Digger." He was actually shooting photos of the band from behind a speaker stack. The Belle of the Ball was the drummer, a big, wholesome-looking corn-fed Australian girl with bangs who wore a floral print dress with puffed sleeves last in vogue in 1981. She was smiling broadly, played well and enthusiastically and was clearly happy to be there. Somebody from the audience yelled, "Your drummer is adorable!" and so she was. She instantly became the visual center of the ensemble.

(Regarding female drummers, my gorgeous daughter Julie plays the drums. I once took a photo of her behind her pink drum kit and posted it on the Internet. It turned up years later on a flyer, "Hot Chick Drummer Like This Needed for Band." Ha!)

On the way out Cari and I discussed concerts in general, this may have been our last. The only concert she reports having finished and not feeling disappointed with in some way was with the Tears for Fears show in D.C. we did some years back - that was a good one. As for me, I have always preferred classical concerts to rock/pop ones. I prefer classical to pop/rock, of course, but In a classical concert you're treated like a guest - in a rock concert you're viewed as a possible problem. Also, is the ear-splitting volume really necessary? Really? (Last night my son said, "That's the problem with middle-aged rock bands. They play too loud because they're all deaf!" Ha.)

I mentioned the other spouse act, the garage floor. Cari and I did it yesterday; it looks great! (Photos here.) The paint chips strewn about visually mask the flaws and inconsistencies in the surface of the concrete. It's now dry enough for me to glue the vinyl base tonight and tomorrow and reinstall the freezer and my tool case. Sunday we can park the cars again. I'll be happy to finish this job! All I'll have left is to hang some art on the walls and install a ceiling fan. As always, photos from my over-documented life will be forthcoming and linked here.

The Burbank head librarian forwarded an interesting archival photo to Mike and I for inclusion on our Burbankia web site: An eleven year-old Tim Burton (1969) enjoys the library summer reading program. Funny, he doesn't look quite so wretched, confined as he is in the miserable, braindead middle-class horror that is the Burbank he talks about.

The other night I listened to a difficult and enigmatic symphony I used to like a lot as a teen (I still do), Shostakovich's Fifteenth. The premiere Lp is from 1972, conducted by his son Maxim. The first movement is a "toybox," wild and raucous, with references to the William Tell/"Lone Ranger" trumpet call. But it is the last movement that has always puzzled critics and intrigued me. The dolorous "fate" theme from Wagner's Ring operas is used, and the final moments have the tinkly sounds of a celesta introduce drawn out chords in the strings accompanied by weird, percussive effects - almost like skeletons dancing. It is the eeriest classical piece I know, right up there with Bela Bartok's celebrated "night" music. What does it all mean? Shostakovich never said. Perhaps he told Maxim, but he isn't talking, either.

This morning, driving into work, I enjoyed the stylistic opposite of the Shostakovich 15th, Haydn's 102nd. Pure, easy pleasure. God bless Papa Haydn! (And Shostakovich.)

A pleasant weekend has arrived - y'all have a great one, hear?



23 Jun 2011

My wife and I are going to see the Neil Finn concert tonight at the Birchmere in Alexandria! Okay, actually it's billed as "Pajama Club, Neil and Sharon (his wife) Finn." This may be like Paul McCartney doing a concert and giving the musicians some goofy tour name and claiming his wife is the star. Or maybe not. But let's put it this way: If I don't hear a lot of Neil Finn, Crowded House and Split Enz songs, I'll be disappointed.

Today we're going to try to put down the epoxy paint on the garage floor... I hope it goes well. I'm eager to get the cars, my tools and the freezer back into the garage. If I'm able to finish I'll take some photos and add them to the Garage Project photo album, of course. My goal is to be able to get the floor and the vinyl base finished by the end of the week.

Last night my son and I watched a rather famous 1964 Alfred Hitchcock episode, The Jar, based on a short story by Ray Bradbury. A good synopsis is here. I saw it as a kid; it made an indelible impression on me and, apparently, many others of my generation. James Bridges, who wrote the script, was nominated for an Emmy, and rightly so - it is excellent, and the production is very well cast. Pat Buttram, Slim Pickens, George Lindsey (who really shines), Billy Barty (pictured above), Jane Darwell, William Marshall... what a wonderful set of character actors! It is interesting to note that Ray Bradbury still owns the jar used in the television production. It has sat in his basement ever since the 1964 airing of the episode, a dusty container full of a nasty brown fluid. (Yes, Bradbury is still with us; he's 90. An interesting quote: "Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn't go to college, so I went to the library three days a week for 10 years.")

Billy Barty, the dwarf who plays the carnival barker who initially owns the jar, is especially cool. He was a Mormon - a member of my church - and, in fact, he lived not far from Burbank, where he sponsored a baseball team called "Barty's Shortribs." I met him a couple of times in D.C., at political functions - a very nice guy and a class act. I always enjoyed seeing him on television and in movies.

Life gets hectic again: my youngest daughter Meredith's wedding is back on! The date was originally slated for June (cold feet, sort of), but is now Saturday, 8 October, in the Mormon temple in Las Vegas. It's close to where the groom's family lives. They make a nice looking couple - Meredith is temporarily a blonde. Her fiance Chris is now in ROTC, he graduates in December and shortly thereafter becomes a commissioned officer in the Army, working in the Quartermaster Corps (we think - you know the Army). Wow... last kid to marry... Tempus is fugiting again.



22 Jun 2011

The subject at hand is the Ducky Boys early 1960's street gang of the Bronx... and Burbank, California, my hometown. There is a connection.

By doing some quick Internet research I have discovered references to a "friend" of some of the Ducky Boys and a fellow Bronx resident named Roy Drillich. He was apparently a well-known Bronx character in the 1950's who came to a bad end. Becoming involved with drugs later on, he committed a fairly ghastly murder-suicide.

Mentioned in some Ducky Boys blogs, books about the Bronx and in a few New York Magazine articles, Roy Drillich is known as being the inspiration for Arthur "Fonz" Fonzarelli of TV's Happy Days sitcom, who was, of course, played by Henry Winkler. Well, that's what's claimed, anyway. Intrigued, I wondered about the character Fonzie and of Garry Marshall, the creator of the show, and looked for documentation about a Drillich/Fonz connection.

As I suspected, Garry Marshall was raised in the Bronx, and was about the same age as Drillich. (Ralph Lauren, born Ralph Lifshitz, was another Bronx kid of that approximate generation.) The wikipedia article about the Fonz gave a back story: he was once in a gang called the Falcons. As you might guess, so was Garry Marshall; it was a 1950's Bronx street gang that morphed into a baseball club when the boys had tired of getting beaten up. The Bronx-Burbank connection? Garry Marshall now maintains a theatre in Burbank named after his old street gang, the Falcon Theatre; he recently contributed a foreword to the Burbank Centennial Book, posing in front of the Falcon. And fans of Laverne and Shirley - a Garry Marshall show in which his sister Penny co-starred - will recall the sixth season move of the girls from Milwaukee to Burbank.

Was Drillich the Fonz? If you go to the Falcon Theatre you can buy a (probably signed) copy of Marshall's book Wake Me When It's Funny: How to Break Into Show Business and Stay There. Or you can look at the book with Google books: On page 128, Marshall admits to basing the character of the Fonz on somebody he knew named Pete Wagner, not Roy Drillich. As he explains earlier in the book, Wagner was the coolest person Marshall knew, a dark brown leather jacket, white cotton tee shirt, blue jeans and heavy motorcycle boots-wearing Yonkers resident who was the only person Marshall knew who owned a motorcycle. Further confirmation is provided by the fiancee of Drillich in a 1981 letter to a magazine, who claimed others were far more like the Fonz than was her betrothed.

To conclude, it is interesting to note that Roy Drillich lives on in a one man musical act performing in the Netherlands: "Roy Drillich and the Wasted Youthlums." Fame is a curious thing!

Having finished with all things Ducky, I am now reading Guns, Germs, and Steel - The Fates of Human Societies by Jared Diamond, a recent yard sale purchase. (I seem to find the most intriguing books at the annual sales in the Little Red Schoolhouse near where I live... last time it was a chilling Penguin paperback about the 1918 Spanish Flu pandemic.) It purports to explain why, for instance, Europeans traveled across the ocean and conquered native American tribes enabled by their superior technology rather than it happening vice-versa. Or as a friend noted in 1992 upon the 400th anniversary of the Christopher Columbus expedition, "You notice we are not celebrating when North American Indians used their birch bark canoe technology to subdue and colonize Europe." It advances the argument that the underlying reason isn't due to racial or cultural differences, but geo-environment. (I think I have that right.)

It seems to be highly lauded by the diversity and multicultural crowd, and won a Pulitzer Prize in 1998. Well - I shall keep an open mind, but I do not think I will be entirely buying the environment-only explanation.

Last night I watched a wonderful documentary: The Cliburn (2001), about the young contestants in the Van Cliburn International Piano Competition held every four years in Ft. Worth, Texas. (Van Cliburn is a Texan.) It was like a reality show for the classical music-minded. In the 2001 competition, the first place was tied between two determined Russians, both playing Russian concerti - Tchaikovsky and Rachmaninoff - with the Ft. Worth Philharmonic. I was also impressed with the venue, the Bass Concert Hall in Ft. Worth - check out those trumpet-blowing angels! What a cool building...

Naturally, after watching it, I went to my Spinet from Hell and did some much-delayed practice and got part way through a C major Czerny Etude. I have too many mental irons in the fire these days and feel distracted; I have been neglecting my piano practice.

Elsewhere in the music world, my daughter Julie and her husband bought me a two CD set of Haydn London Symphonies for Father's Day - it arrived in the mail yesterday. What fun I'll have listening to those! In my advancing old age I have discovered what a joy Haydn's music is... there are some who insist that the last proper symphony ever composed was Haydn's 104th (his last). While this is a bit of an extreme view, I see their point.




21 Jun 2011

While doing yard sales on Saturday morning with my son, I had mentioned that the Olsen Twins were beginning to look haggard. (They do this pose where they butt their heads together, purse their lips and look waspishly at the camera - do a google image search on "olsen twins" and see for yourself. My daughters used to do this upon request... it was funny.) I don't know what's going on now in their lives aside from aging, but they're beginning to look like Dracula's Daughters.

Anyway, I mentioned this and Ethan mentioned a popular youtube video where their little girl song about pizza was slowed down and turned into a freakishly compelling song: Gimme Pizza. He found it on youtube with his iPhone, patched it into my car stereo and we listened to it. I had tears in my eyes I was laughing so hard. Needless to say we were singing that all day, and it's now become a catchphrase: I... wannntttt... PIZZZZZAAAAAA....

I'm now enjoying my book about the Ducky Boys gang of the Bronx in the mid-Sixties. It's hardly earth-shaking history, but as it captures a time and a place - a milieu - it's interesting. The former gang members, interviewed, confirm what I once heard comedian George Carlin assert: the teenage gangs of the Fifties and early Sixties disappeared because they started getting high on drugs and became stoned, not violent. This was certainly the case with the Ducky Boys. While beer and harder alcohol was always a part of things (one former member states that in the end what the Ducky Boys were all about was underage drinking), starting in about 1965 pot and heroin began to make their appearance. From that point on the gang became less interested in defending their turf and more concerned with finding secluded places to get high.

The author is mainly concerned with the early to mid-Sixties incarnation of the club, and really doesn't chart when it ended definitively. Certainly the Vietnam draft played a part, as did simply growing up, taking on jobs and no longer hanging out at any of the old hangouts. Based on some photos of latter-day Ducky Boys I'm guessing that the club was still in existence in some less active form during the early 1970's, but I'm not sure.

An interesting aspect of the whole effort to document a teenage gang's existence were the reactions the author got when he canvassed people for interviews on a Bronx Internet forum. Despite the fact that the statute of limitations had long since passed on the incidents from 40+ years prior, he had stirred up something of a hornet's nest, and people who were in, had contact with and even fought against the Ducky Boys still had strong opinions and, apparently, maintained grudges. (Even so far as to return to the old spots in the mid-2000's and attempt to wipe away gang graffiti.) Curious! It appears that the hormone-driven emotions one experiences as a teen are not always easily cast aside, even decades later.

I had an odd, reversed, experience on that subject at my thirtieth high school reunion, in 2004. Prior to the big party at a hotel, we had all gathered at Burbank High School to take a tour, the school being recently dramatically remodeled. Nothing is where it used to be (with one exception). When I attended school there 1971-1974 I had a classmate named Pug Reece, whom I disliked intensely. I forget why. It may have been one of those things where you take a dislike to a person because of a hallway slight, or because he's in a social group entirely different than yours or because of hormones. At any rate, Pug was my enemy.

Pug was present at the tour and he and I talked for a bit (I am a far more gregarious person than I used to be), and as we did I suddenly realized that we had more in common than what separated us, and whatever it was that caused me to dislike the fellow so intensely was no longer present. In fact, I began to like him! In one photo I'm sitting next to him contentedly (I'm pointing at my yearbook he's holding). I look forward to seeing him again at another reunion. It was one of the odd revelations of my thirtieth reunion... How wonderful to discover that one can let bygones be bygones and build friendships anew! (Of course, in church every Sunday we are exhorted to have this spirit, but being lectured at about it and actually doing it are two different things.)

I mentioned that my high school had been remodeled out of all recognition from the place the Class of 1974 had known, with one exception. That exception is the base of a stairwell that had been entirely left alone. From time to time I used to sit there and read. It was at that spot that I had gotten my First Kiss - which was certainly a red letter day in my young life. I mentioned this to our tour group as we passed by the place and got a big "Awwwww" from all the women present - it was funny.

Last night I was watching some excerpts from the 1968 Franco Zeffirelli production of Romeo and Juliet. It starts out as a good but fairly undistinguished production of a Shakespeare play. But as soon as the two star-crossed lovers meet at the ball it quickly transforms itself into what I think is the all-time best adaptation of a Shakespeare play to film. Was there ever a better exposition about two kids falling madly in love with each other? I don't think so. The film is helped immeasurably by Nino Rota's score, and That Damn Love Theme. I remember well when this film came out; you couldn't get away from that love theme. Being a somewhat sensitive kid about music, it caused me to fidget uncomfortably. It's so emotional. In a popular music context, it is Love Itself. And that was an awfully scary thing to a thirteen year-old. I remember thinking about love in terms of death: "Will this have to happen to me? Is there any way of avoiding this?"

As it turned out... no, there wasn't. But that's a blog entry for another day, or, most likely, not at all.





20 Jun 2011

Regarding the Sharkbite plumbing fittings I wrote about last week - I forgot to mention something. On the back of the package is written: "Illegal for use in California and Vermont." I guess the other 48 states have got it all wrong. What arrogance! But I'm hardly surprised... Vermont sends a socialist to the U.S. Senate, and California is dominated by anti-business liberals (which is why companies have been fleeing the state). The levels of personal liberty in those states is less than elsewhere.

I was reminded of this when I sent my friend Don - a Montgomery County, Maryland resident - a news article about the county shutting down some kid's lemonade stand. He responded by mentioning that on some list he saw, Maryland is considered one of the least free states in the union.

I watched an interesting and cool early "special effects" flick over the weekend, L'Inferno, a 1911 treatment of Dante's Inferno. (A youtube trailer is here.) It was pretty neat, given the severe limitations of technology back then. Overall, it was quite artistic. But I'm a bit surprised that there hasn't been a more recent treatment of the same material; visions of hell are not something you see very often in films, so it certainly has originality going for it. (Hollywood is too busy with its obsession with comic books, I guess.) It would certainly make for a vivid workout for CGI. I saw a 2007 animated (paper cut-outs) version of Dante's Inferno a few weeks ago that was creative but poorly scripted and politically biased - lame, overall.

A film treatment of Dante's Inferno may probably be artistically superfluous as long as Gustave Dore's engravings are available. They have been considered the definitive artwork for Dante's poem ever since they were released in the mid-19th century. They still look amazing (that's Dore's image for Charon, the ferryman to hell, above). I was first exposed to them (that is, Dore's engravings for the lines about a heavenly visitation) via their inclusion in an Old Farmer's Almanac in 1969. Even on smaller pages and restricted resolution I found them mind-blowing. Check out his interpretation for the Heavenly Host and the Empyrean (the highest heaven). Before there was expensive CGI in films, there was Gustave Dore.

I spent yesterday - Father's Day - scrubbing down my garage floor with an acid etch, getting it ready for an epoxy paint job which I'm hoping I can do sometime this week. I have the freezer located on my front porch and it looks awfully trashy. Problem is, the weather forecast is calling for storms all this week and a part of the garage pad is exposed to the elements. DRAT!

I am now reading The Lost Boys of the Bronx - the Oral History of the Ducky Boys Gang by James Hannon. I've just started, so right now it seems like much ado about nothing (especially compared to the last gang brawl I read about, the 1066 Battle of Hastings), teenagers hanging out. The stories about criminality follow in subsequent chapters. Turns out Ace Frehley of KISS was once a Ducky Boy - I didn't know that.

Unless you grew up in the Bronx in the Sixties you wouldn't know about the Ducky Boys unless you've seen a rather obscure but entertainingly good 1979 film called the Wanderers. In it, the Ducky Boys were depicted as a mysterious and murderous swarm of half-sized Irish teens. Needless to say, the real Ducky Boys weren't anything like this. When do films ever portray reality?






17 Jun 2011

As it turned out, I couldn't use the Sharkbite fitting to repair my leaky pipe yesterday - there wasn't enough room to accommodate it, and I didn't have the slack to get the fitting onto the pipe. So I did it the old school way: I soldered on a section of new copper pipe with two sleeves. That was fairly simple. Here's the culprit.

I am now reading I Am Charlotte Simmons, by Tom Wolfe. I can't say I'm enjoying it. It deals strongly with the popular culture and contemporary morals, which I find depressing. This morning I endured the chapter on college basketball... as I hate and loathe basketball, it was pretty hard going. (Why the distaste for basketball? That's a lengthy blog entry in itself. Without going into details, it has to do with my height and stereotypes about tall people, and a general dislike for the basketball culture.) I may be dropping this book. Not only do I not care for the direction it's headed, I always feel like I'm wasting my time when I read current best sellers. I generally stick to non-fiction (mostly historical) and, when I read fiction, it's usually classic fiction.

Just before going to bed last night I was looking through and reading my giant coffee table book about the Bayeux Tapestry, a work I know well. There, in an interesting palette of dark greens, maroons, blacks and tans is a pictorial chronicle of the events leading up to 1066 and the Battle of Hastings. I've been reading about this artwork and seeing excerpts from it ever since I was a teen. In fact, I first saw it on the cover of an inexpensive encyclopedia set (sold at a grocery store) my mother bought me, which I had available on a bookshelf next to my bed. I used to sit up at night and thumb through them. The figures represented in it - Harold, William, Wido (Guy), the dwarf Turold, Stigant the Archbishop, Leofwine, Gyrth, the mysterious Aelfgyva of some now-forgotten sexual scandal, the little crowd pointing their fingers at Halley's Comet passing by (see above) - they're all friends of mine. (My favorite guy is the Saxon worker placing the weathercock atop Westminister Abbey.)

As I fell asleep I could see the figures in my head, all bopping around and moving restlessly to the right, because that's the direction of the narrative. If nothing else, the Bayeux Tapestry is a relentlessly narrative piece. The clever youtube animated Bayeux Tapestry capitalizes on this. Someday I hope to see the real thing in its twisty display case.

I finished the Burbankia slide show for next month's presentation in Burbank... 200 slides. I figure we've got between an hour and an hour and fifteen minutes of show there, including commentary on the photographs, interacting with the audience, asking questions, etc. I hope it goes well, but I'm pretty confident it will. We've got stuff in there that is interesting and generally unknown about Burbankers, and the people who would attend such a thing are interested in local history anyway. I've included a sneak peek at a new section I'll be adding to the website, "The Photographic Legacy of DeLos Wilbur." I'm reasonably sure these sights haven't been seen in Burbank since 1917! At any rate, Mike and I will be adding a distinctive and unique touch to the city's 100th anniversary activities; we can be proud.

This weekend I'm going to start doing a final clean up of the garage floor in preparation for putting down the epoxy coating, which means I need to move the freezer and the tool cabinet and store them somewhere. The weather forecast is calling for thunderstorms, which I'm hoping will cool things down.

Have a great Father's Day weekend!



16 Jun 2011

With surgical precision I used the Dremel Multimax cutting tool we bought for last year's hardwood flooring project to slice away some of the drywall around my leaky pipe. My goal was to see what the problem is. The pipe is bone dry on either side of the drip, and dry above and everywhere else save under the drip - so I surmise that the pipe has a very small pinhole leak which results in a drop of water every nineteen seconds. Yes, I timed it.

I went to Fischer's Hardware - where one goes to avoid the Home Depot language barrier problem - yesterday and talked to the plumbing guru, one of the Grand Old White Guys working there, about how this was caused and what to do about it. His response: "Fluorine, chlorine, minerals, deposits - no telling. This can happen. I've seen it before." Swell. Any copper line in my entire house can sudden start dripping, creating that abomination of abominations, wet drywall.

At first I found a sort of diaper fitting with a rubber insert that one can attach to the pipe and tighten - leak fixed. Only for a while, according to this fellow, shooting me a look of disapproval as if to say, "This isn't how we middle-aged guys do it. Do it right and join the club." The better solution is to cut the pipe in half at the leak and put a Sharkbite fitting onto it. I had never seen Sharkbite fittings before... they're neat. Watch the video on the website.

Anyway, looking at where this line is, I won't be able to get the SB fitting onto where the leak is - there isn't enough room and it's too hard to get to - so I'll have to shut off the water, cut the pipe and put in a new section, soldering on one side and perhaps Sharkbiting (new plumbing verb) the other. That's my goal for tonight. It gives me an excuse to not attend the scheduled cub scout pack committee meeting. Besides - I like to solder copper pipe. It's fun, watching the solder magically wick into joints, making watertight connections.

I first learned to solder in junior high school in an electronics class, where, in 1970, I built a five tube superheterodyne Heathkit AM radio that made the strangest amplified "BOIIINNNG" sound wherever I switched it off. I wish I still had it. I really learned to solder, however, in the Marines. The soldering section of the Comm-Elec class I had took a few days, and we learned to soldier to NASA specs. That's what the instructors claimed, anyway. The experience stands out in my memory for one reason: a radio used to be on while we did our soldering exercises, and it was then that I first heard Harry Chapin's guilt-fest tune "Cat's in the Cradle." GAHHHH. But I see that I have blogged about this horrid song before.

Last night I watched one of my favorite horror films, Herk Harvey's 1962 moody masterpiece Carnival of Souls, one of the many works based on the idea "she or he is dead but doesn't know it." I was stuck again by just how perfect Candace Hilligoss is in the role of Mary Henry, the gal who keeps phasing in and out of everyday existence after a car wreck. She's a pretty blonde - but with looks of the sort to throw the viewer off a bit. Are her eyes a bit too large, or slightly wall-eyed? Is that it? Or is it her demeanor? She's 75 now - I see she's still pretty.

I see this film has gotten the complete Criterion DVD treatment. Hmmm. Maybe I'll put this on my amazon.com wish list...




15 Jun 2011

I have GOT to stop reading books about the Battle of Hastings. It's depressing. My team never wins. I'm at the part in my book where the gallant and determined King Harold II of England finished his forced march south with his housecarls to face Duke William of Normandy on Senlac Ridge.

Yesterday I scrubbed oil stains off my garage floor with a high powered degreaser and a steel bristle brush, yuck. What a stink and mess. I still have more to do... I have a lot of prep work to do before I can paint with the epoxy paint. Thank goodness the weather is cool!

As I fell asleep last night I was mentally working out what could be causing a leaky pipe in my basement that has caused some of the drywall to become wet. (I hate wet drywall - not only is it a contradiction in terms, I consider it a personal affront.) It looks like I'm going to have to remove a section of air conditioning ducting to be able to get at the pipe. I'm puzzled: the leak is a slow drip. If it's a cracked copper pipe the water would be spraying out at pressure. But... what if the leak isn't there? What if that's simply the lowest point and the water is traveling down the pipe from somewhere else? Perhaps the leak is really under the kitchen sink and it's a case of the water moving down the pipe to the basement? I have some plumbing sleuthing to do. Delightful, when all the pipes are within the walls.

I have a new piano study (that's what they call it when there are notes but no real melody - in other words, not proper music) by Czerny to learn. I was painfully plodding through it during my lesson last night. At times I was reminded of lessons when I was a boy, thinking, "Is this woman going to torture me by insisting that I play each miserable note correctly? But, on the other hand, I also have a classical piece that is interesting and dramatic, so the story with me is predictable: I like learning to play the music I like to listen to and don't enjoy learning the music I don't enjoy listening to. Is that such a surprise?

NASA runs what they call the "Astronomy Picture of the Day," which I nominate as one of the more satisfying uses of government money. (Note: Not the best nor the most constitutionally-authorized or mandated, but the most satisfying.) Every now and then I get a link to this page from my daughter Julie, who has developed an interest in space.

Sometimes NASA is even in the business of making videos - here's a good one: Highlights of the Cassini Mission, set to music. Certainly, I won't think of Saturn in quite the same way after seeing this video. Another incredible image: the Sun Unleashed. And Humanity's Most Distant Spacecraft... It's a bit mind-blowing, actually, to consider how far we've come in space exploration.

NASA does a good job with this stuff - they have a cool website, perhaps the best in the government. We hear a lot about how the U.S. government botches things up - and I am certainly in the forefront of pointing this out. But here and there it does a good job. NASA, by and large, has been a stunningly successful endeavor, for instance. And the National Park Service is another one of my favorite government entities. I'm also a fan of the United States Marine Corps, of course. I can't imagine the United States without the USMC - or the other armed forces. Not only do they protect us from the enemies of the Republic, but they provide us with really excellent music concerts, free. (Well, okay, not precisely free. There's a cost to maintaining the various ensembles, and it comes right out of our tax dollars.)

God Bless the USA!



14 Jun 2011

Ba-ba-ba-ba-BAHHHHHHH Bah (da-da-da-da-DUH) Ba-ba-ba-ba-BAHHHHHHH Bah. That's how John Barry's bombastic theme for the 1965 James Bond flick Thunderball starts, with big orchestral chords; I know every note of the incidental music by heart, I think. I watched the first hour last night. My childhood friend Doug and I watched this, oh, about seven or eight times in the movie theater (no VHS or DVDs back then) when we were ten years old. It was a highly influential work for me. It certainly fueled a lot of our swimming pool play during the summer, when we'd happily take our guns and equipment underwater to fight off the hired minions of SPECTRE. (A major interruption was in having to come up for air. Bond could afford scuba gear but we couldn't.) James Bond was the major spy during the craze years, and presented a generation of American boys with a substantial problem: how to be like him in an environment (school) where this was clearly impossible.

My friends and I were always perplexed about how we were supposed to reenact James Bond's relationships with all those beautiful women. First of all, we weren't entirely certain what he was doing with them, and secondly, none of the ten year-old girls at school looked remotely like Bond Girls. Instinctively, however, I reasoned that when they did, we would figure out what to do with them. I also suspected that Bond's habit of slapping girls on their behinds was a poor way to make introductions, and probably wouldn't work for me personally. A pity. Along came Helen Reddy style feminism when I was fifteen and totally screwed everything up. I think my generation - well, we males, anyway - was robbed. James Bond turned out to be a cruel joke, and to this day I can't stand watching any of the new movies - especially now that he has a female boss. PAUGH.

I did some minor garage work recently. I'd like to get this project finished by the end of the month. The big remaining task is to prepare the floor for the epoxy paint. I need to work on an oily area where our old minivan leaked and leaked and leaked, and smooth down where I filled cracks. This is hot, sweaty and uncomfortable work as the garage tends to get really hot when the weather gets hot.

I listened to Tchaikovsky's Sixth ("Pathetique") Symphony in the garage the other day. It really is an amazing work, one of the very greatest symphonies in the standard repertoire. The first movement is full of tension, stress and conflict, occasionally broken up by one of Tchaikovsky's lyrical melodies (one used as a popular song by Glenn Miller: "This is the Story of a Starry Night"). The second movement is one of Tchaikovsky's amazing waltzes, possibly his best. The graceful cheerfulness of the main theme is interrupted by a middle section that is troubled and fretful - a suggestion of the final movement. The G major march that forms the third movement builds with an incredible power. When I heard the sixth performed live, the audience broke out into immediate applause at the end of the march movement. An audience is supposed to hold applause until the end of the symphony, but you can't with this piece - you just want to stand up and cheer. The last movement - which gives the symphony its "pathetique" title - is sorrow and despair itself. In fact, when it was first performed, as the strains of the final notes ended, people could be heard sobbing.

For generations after Tchaikovsky, his sixth symphony represented the concept of death to Russians, and there were occasions when it would be in very bad taste to play it. (I came across such a story in a documentary about Stravinsky.) There is every indication that the composer used the symphony as an occasion to create an intensely personal summing up of his life, which was soon to end. Everyone knows the story of how Tchaikovsky contracted cholera as a result of knowingly or unknowingly drinking contaminated water, but according to Professor Robert Goldberg in his lectures, Tchaikovsky was more or less ordered to take his own life as a result of a scandal involving his homosexuality. The whole subject is speculative - this wikipedia article gives an overview - but the cholera business is certainly nonsense. No educated man of Tchaikovsky's culture, social circle and class would have died in such a manner; death by cholera was a lower class, peasant death.

Anyway, Tchaikovsky's Sixth Symphony is an amazing piece of music. If you like classical music you've probably heard it. If you don't, give it a listen. It's an excellent and accessible way to dip your toes into the world of orchestral concert music.

Today I've been an employee of the U.S. Patent and Trademark Office for eighteen years, hiring on on this day in 1993. I began in the same fashion that I've pretty much followed ever since: being a smart ass. On my first day at work I attended an orientation meeting. During one part, the EEO counselor, a black woman, came in and asked the following question during her short talk about workplace harassment: "If I said the word 'tailhook' to you, what would you respond?" (obviously fishing for an reply about the celebrated USN tailhook officers party scandal which involved subsequent sexual harassment charges). I raised my hand and replied, "It's a device used on naval carriers to halt the forward momentum of jets upon landing." As the session was full of post college, entry level engineers destined for examiner positions in high tech units, I saw a bunch of smiling while male faces. The woman persisted, and one cowed twentysomething admitted that, yes, horrible male sailors did and said horrible things to women. He smote himself upon the chest, cried Mea Culpa, Mea Maxima Culpa! in a loud voice and flung himself out the sixth floor window. The others all looked at the floor shamefacedly and began to weep for their past sins against womenkind.

Okay, perhaps I made that last part up.





13 Jun 2011

I had a great weekend, mostly with my son. We did yard sales. There wasn't much, but I got an old school Atari joystick with ten early 1980's games (Pong, Space Invaders, Asteroids, Breakout, etc.) integrated into the unit for $1.50. You just plug it into your TV's input jacks.

Last night I played Pong for the first time since about 1978 and got beaten by the machine. I'm not sure if I'll keep this or if it's destined for the next White Elephant exchange...

I also bought a CD of Vladimir Horowitz's 1978 live performance of the Rachmaninoff 3rd Piano Concerto. I was listening to it while working in the garage. It's a wonderful work - and I have heard it performed live - but I prefer the 2nd.

I also paid a visit to the Harbor Freight store in Dale City... for those of you not in the know, Harbor Freight sells mostly tools from China at ridiculously low prices. I know them primarily as a catalog store, but they have a place near the Potomac Mills Mall. I got a four drawer tool box on sale for $99. It was much stronger than the tool box at Lowe's for the same price, and it makes things much more organized in my garage. Normally I hate buying stuff from China, but I'm mostly stuck, I think. I simply couldn't justify hundreds of dollars for a Craftsman tool box. I don't have that many tools and they're not that good. (And are Craftsman boxes made in the U.S.? I'm not sure.)

I also bought the epoxy flooring kit; I'd like to paint this down before I go into surgery on the 26th of July and finish up the garage.

Ethan and I also visited a Ford dealership to get an estimate on the trade-in of his Nissan Xterra, which he hates. It's given him nothing but problems ever since he bought it - he calls it the "Xterrible." They will give him $3K towards a $9K used Explorer. No deal! His best bet is to sell the car via Craigslist, I think.

Let us return to the subject of our old friend the Higgs Boson, which I blog about from time to time. Bad news - it appears that the high energy particle scientists who are looking for it (and spending many billions of dollars to do so) haven't found it. There was some news that they might have, but no. Somebody introduced an error into the calculations.

The Higgs is the particle predicted by the current Standard Model of physics which imparts mass to all other particles. As I always state, my opinion is worthless due to my ignorance on the matter, but I don't believe they'll find it. From what (pitiful) reading I've done, a Standard Model that incorporates the Higgs boson is complicated and inelegant. It just doesn't strike me as being the building block of our universe. I suspect our universe is, at its core, simple. OR... there's an underlying simplicity behind the Standard Model that we're just not appreciating.

I have never liked math. When I started college and knew I wanted to be an engineer, I knew that I'd have to do well in a year of remedial math classes before I could start calculus. But by the time I was well into my math classes, I began to have a feel for working out the equations. When I was nearing the right answer, things just sort of fell into place and felt "right." I'm not sure if this is a basic mathematical phenomena or if it's a result of having the professors who write the textbooks rigging the questions so that arriving at the right answer would seem this way - I was never sure. But nothing about the Standard Model seems like that... it's unattractive. I guess I'm expecting something simple and profound like E=mc2. Perhaps it's not there.

Anyway, from the linked article it looks like the end of next year will provide an answer to the question of whether or not the Higgs boson exists. If it doesn't, physicists return to the drawing board and refine the Higgless Standard Model. I'm guessing that no, there is no Higgs boson.

10 Jun 2011

We finally saw Tron: Legacy (2010) last night via Netflix DVD. What a disappointment, a dud of a film. We were going to see it at the theaters, but opted instead to see The King's Speech. That was a good call! I would have been annoyed had we paid nearly $10 a ticket to see this stinker.

What's wrong with it? The usual things... special effects and "look" over plot, character development and human interest - the storytelling basics. The plot was a mess... who was doing what to whom and why, precisely? I stopped caring. Actually, I prefer the original Tron movie, even with the 28 year-old computer graphics. At least it was a sensible tale and had originality going for it.

What a complete difference from another film I watched this week: David Lean's 1948 masterpiece Oliver Twist, perfect in every way and arguably one of the best films ever made. It's certainly a favorite of mine. The casting couldn't be better: Alec Guinness as Fagin and Robert Newton as Bill Sikes. Both are fascinating to watch... and this doesn't even include the other superb post war British character actors, each one leaving an indelible impression. Great cinematography, direction, script and acting.

One amazing scene is when Bill Sikes murders Nancy. Lean cleverly didn't show the murder graphically. Being a genius he did something better and far more memorable: while you see Sikes raise a club, the actual murder is portrayed by a shot of Sikes' dog, frantically trying to get out of the room, yelping, and clawing at the door and floor. I've never seen anything like it in any other film. Afterwards, Sikes stares at his victim, realizing what he has done, and gazes at his dog, who trembles and looks back at him fearfully. Wow... even the dog can act in this production! (I see another writer appreciated the film making genius behind this scene and provided a complete visual analysis. Check it out. And then watch this great film!)

Modern film making often deals with repeated murders and deaths so that the overall effect is numbing. I always appreciate when a director of ability like David Lean focuses instead on the horror of one murder. It's so much more meaningful, and the effect is more pronounced. And that, my friends, is in part why I think old films are better... old school craftsmanship.

Yesterday I mentioned the De Los Wilbur Burbank photo album... Mike found dating for them: they were almost all taken between January and March 1917. This one, a street scene showing an impressive bank on San Fernando Road in town, was described as taken on Wednesday, 28 Feb, 1917 at 8:15 AM. When I mentioned it the other day I pointed out the horse droppings in the street, but there are other details. For one, that's De Los' car parked in front of the theater with the characteristic "U.S. Mail" sign hanging from the radiator cap. The theatre provides a mystery: the sign clearly shows the word "theatre" in lights, but what's the object to the left of the word? We can't make it out, and we don't have any record of what this theatre was called. A Burbank mystery for Mike and I to solve! I can just barely make out "Ferguson's Ice Cream" on the awning under the soda sign, and "Ream's Storage" painted at the back top of the building.

My favorite shot so far shows young De Los and his trusty car; he's eating while halted on his mail route (I wish I knew where). These are charming photos... I'm glad Mike got access to them. I think they'll really enhance the Burbankia slide show we're presenting next month (a friend is calling it "the Mike and Wes Show"), all the more so since De Los graduated from Burbank (Union) High School one hundred years ago next Thursday - his diploma is in the album - a nice coincidence since the city will be celebrating its 100th anniversary of incorporation next month.

I am now reading The Enigma of Hastings by Edwin Tetlow, a book written in 1973. I'm only on page 34 and he's already mentioned Vietnam. (Why did the British care about Vietnam? Was it the case that anti-war protests were so universally fashionable in that era and that they didn't have one of their own? Did Northern Ireland not suffice?) For me, the enigma of Hastings is what I learned when I visited the site in March: Where was the Saxon battle line, actually? Where Harold was reputedly killed seems out of place. For Tetlow the enigma includes another puzzling thing I noticed when I visited: Why are there are no artifacts from the battle dug up at the site? No bits, bridles, shield hardware, swords, pieces of chain mail, etc. Normally when you visit a battlefield visitor's center there's all sorts of this stuff on display. Tetlow says that the usual explanation is that due to the sandy soil in the region, the artifacts have settled more deeply than usual - but this seems odd. Nobody found anything? Indeed, some scholars suspect that the battle may have occurred elsewhere... but this is in the fact of the persistent local claims and the fact that William built an abbey on the site to commemorate the event. What gives?

Yard sales, a Five Families get together and probably the pool tomorrow... the weekend has arrived once again. Sometimes when the tempus fugits, it's good.

Have a great weekend!





9 Jun 2011

I went to see the orthopedic surgeon yesterday. He looked at my MRI images, showed me where the tear in the shoulder tendon and the osteoarthritis are, and said, "You have two choices: You can do something about this or not. If you don't do anything you will continue to feel pain and experience a limited range of motion. Your shoulder, by the way, is noticeably weaker than the undamaged one. If you don't expect to do anything much in the way of physical activity you can remain like this. Or you can have surgery and I'll reattach the tendon, remove a small bone spur that is causing some irritation and get rid of some other problems. This will greatly relieve the pain. With physical therapy you will regain your range of motion." Phrased like that, I opted for surgery. So I go under the knife on Tuesday the 26th of July, after I get back from California and Utah. Just call me the Propofol Kid!

I asked about the process of stitching a tendon back to the shoulder... he says he drills a small hole into the bone and inserts a part with the sutures already into it. He then ties the sutures into the tendon. I'll be wearing a sling for six weeks and starting physical therapy after ten days. Initially, it's just a person stretching my arm for me, then it becomes an active exercise which I do. How much will all of this cost out of pocket? I can't wait to see. This is going to be an expensive year.

This also means that the clock is now ticking on getting the epoxy garage floor down; I won't be able to do it for quite a while after the surgery. I would have liked to have been able to do that on a cool day, but now it looks like I'll just have to wait for a cooler day before I head off to California and Utah next month.

Speaking of the weather, it is now sweltering in the D.C. area, what we fondly refer to as "Ground Zero." Just the few short walks it takes me to get to the buses and Metro had me sweating.

I finished that book about Richard the Lion-Hearted I was reading; as I guessed, it's a reassessment of a reassessment. The author advances arguments stating that, compared to the standards of other 12th C. monarchs, Richard was not cruel or bad. In fact, he was very kingly and praiseworthy - which was the verdict of this complicated man up until Bishop Stubbs, a Victorian writer, called him, "... a bad son, a bad husband, a selfish ruler, and a vicious man." The Great English History Reassessment of the 1960's and 1970's - which I suspect was more than a little influenced by the anti-establishment feeling of the times - was that Richard I was a thorough rotter - and a homosexual besides. (The author of the book I just read disputes this. Let's just say the verdict is out.) So what's the verdict on Richard I? Perhaps we shall get the latest view when the reassessment of the reassessment of the reassessment gets printed up by somebody. As for me, I'm done with Richard I. No more books. I know enough about the fellow.

One disappointment: the legendary meeting between Richard I and Robin Hood is glossed over almost entirely. While the author points out that Richard was indeed in Sherwood Forest and Nottingham for a time, he doesn't state whether he thinks a meeting between the English king and the celebrated outlaw took place or not. This is lazy scholarship on the part of the author. Most writers and medieval historians place a Robin Hood - if he really existed at all - almost a hundred years later than Richard's reign; that's when the "Robynhuds" and the other various spelling variants begin to turn up in civil rolls in greater numbers (the implication being that people in the North of England began naming their children after somebody famous). And in the earliest ballads, Robin isn't associated with Sherwood Forest or Nottingham at all, but rather in Barnsdale, which is some distance away. The best book I have ever read on the subject is J.C. Holt's 1982 Robin Hood, which seems definitive. The wikipedia article seems to contradict itself in terms of when the first mention of Robin Hood is, and where in England he's placed. Look, forget wikipedia. If you really care, read Holt. He's solid.

Mike continues to send me scans from the De Los Wilber collection I mentioned yesterday. It's interesting, piecing together the Burbank, California of the early 20th C. by Wilber's photographs. Here's another... I like the way he captioned it, "Millionaire Row." From that we can infer that these were the nicest and biggest homes in Burbank at the time (a pity he didn't consistently date these photos). The funny thing is that a high school friend of Mike and I used to live in one of the houses, the house closest to the photographer. Another nice shot is one he called "A Panorama of Our Town," from 1920. That stately and prominent building is my high school, Burbank High. But this is the old building which Mike and I never knew - it was later replaced with a larger structure. The Verdugo Hills are in the background; I'd be able to pick them out from any photograph, I think.

I have the wild and woolly Webelos Den meeting tonight. We finished up the Readyman activity pin last week - I'm not sure which one we're going to do next, but I'll think of something. I always do. My bag of tricks is pretty deep since I've been doing this for a while.





8 Jun 2011

I've been listening a lot to the Maddox Brothers and Rose ("America's Most Colorful Hillbilly Band"), a 1940's/1950's country/rockabilly ensemble (they disbanded in 1956) - arguably, the first purveyors of what we now call call rock n roll. From wikipedia: "Fred Maddox's bass is displayed at the Experience Music Project in Seattle. 'They wanted his bass because they believe he might have hit the first note of rock 'n' roll on it.'" Fred Maddox played a acoustic, percussive slapping bass. (Perhaps the all-time best illustration of this style is in a wonderful, completely over-the-top performance from the 1940's by Reg Kehoe and his Marimba Queens. The insane bassist is Frank DeNunzio, Jr. His bass solo begins at the 1:12 mark.)

Maddox Brothers performances are full of extemporaneous shouts, whoops, noises and commentary - they must have been an amazing act to watch live. They also were sharp dressers in the classic country style. Rose Maddox had a voice which could shatter glass - a full-frontal southern holler. And check out the laugh... some gal! Here are a couple of her songs of the type which you simply do not hear at all these days: I Wish I Was A Single Girl Again, (Pay Me) Alimony.

And years (six, to be exact) before Jimmy Soul exhorted listeners to marry ugly girls (because you have no need to fear competition), the Maddox Brothers were celebrating "ugly and slouchy" women. Their logic, while somewhat insulting, is inescapable. A saying originated in my rugby club: "Go ugly early." Same belief system, I guess.

I got a call from my doctor's office yesterday; last week's MRI revealed that I have a 1 cm tear in a right shoulder tendon, along with some mild osteoarthritis. I see an orthopedic doctor today about it - this might result in surgery to fix it. (Both my father-in-law and brother-in-law have had this operation.) I know how I got both: Excessive line out practice in my last rugby season in fall 2006 caused a nagging pain in both shoulders. While the left shoulder recovered, the right has had pain ever since, despite two rounds of physical therapy. When I was painting my garage doors last month I felt a quick pain in my shoulder - that was probably the tendon tearing. As a result I cannot raise my arm very high without pain. And that's the organ recital for today.

I looked at ceiling fans for my garage yesterday. I think I want a simple, flush mounted one that I can spray paint red to go with the light fixtures and clock. It would be very nice to move some air in there while I'm working... it gets hot!

My Burbank pal Mike found a real treasure trove the other day. A militaria collector friend of his let him borrow a photo album in his possession, full of never before seen photos of Burbank, from c. 1910 to c. 1940, assembled by one De Los Wilber. Wilber's name appears on a plaque commemorating World War I soldiers, and something of his time in service can also be seen in this album. De Los took a job in Burbank as a postman, and was an amateur photographer, capturing many of the common, everyday scenes in town. My favorite of the initial batch of scans Mike sent me is this one, Burbank's Street Sweeper, where a solitary figure is shown cleaning up the horse droppings on what looks like San Fernando Road. It perfectly captures what a sleepy little place Burbank must have been in the early Twentieth Century. To orient you, that road disappearing off to the right eventually leads to the eastern part of the San Fernando Valley and into downtown Los Angeles, about twelve miles away.

Another cool photo is this one of San Fernando Road. Note the Farmer's and Merchant's Bank, in the stately Greek Revival style. I suppose back then it would have been called, admiringly, "pretentious." I keep seeing that term. Back then it was used in a positive sense. Note also the horse droppings in the road. We are obviously in the period where the motorcar was beginning to replace the horse, but it hadn't happened completely yet.

I'll be getting lots more scans from Mike and posting them to our web site Burbankia as a the "Wilber Collection," a real historical triumph for us. (And once again, we scoop the Burbank Historical Society...)



7 Jun 2011

When I was a kid in the 1960's in Burbank there used to be a factory that manufactured screws - at least I think they did because the sign affixed on the building was "American Screw Company," or something like that. I was vaguely scandalized by another bit of advertising that was also on the side of the building: an image of a crying baby with the question, "Have a screw problem?" Whenever we drove by it I'd say to myself, "I can't believe they got away with that!" the term "screw," of course, being slang for sexual intercourse.

When Mom died I inherited eight small and one large glass Sanka jars containing her screw collection and other hardware, a mish-mosh assortment of sheet metal screws, hex-head screws, machine screws, casters and other metal and brass flotsam and jetsam. While I had three little plastic cabinets with pull-out drawers of screws and other hardware of my own, I kept Mom's out of sentiment. Every now and then I'd actually use something from it. As a part of my overall Garage Improvement Project, I want to reduce the number of small hardware and screw bins I have and actually make it easier to find what I want, so, in an activity that topped even my past obsessive limits for organization, I sorted what screws go where in the single cabinet and eight Sanka jars.

Now that I'm 55 and know myself pretty well, I know that this kind of sorting/organizational effort is one of my very favorite activities. Making order out of disorder... that sort of thing. I'm in pig heaven when I can do that. I recall the joy I used to feel as a kid, going through the 1,200 or so comic books I kept in a big trunk, making sure that they were all in ordered stacks and in numerical order within type, with a card affixed to the trunk lid showing what comics were in one stack. Getting to, say, my oldest Batman comic was easy. My Lps are also now arranged in this fashion.

Having had decades of experience mending things and dealing with hardware, I now know that I use sheet metal screws far more often than any other type. Wood screws I use least of all - mainly because I suck at cabinetry and don't often attempt it. Hex headed and round headed machine screws come second. So... I collected all the sheet metal screws that I didn't know I had and put them into two Sanka jars of their own, with the other Sanka jars used for the various other types of screws, nuts, washers and cotter pins.

When you buy one of those little plastic cabinets of screws you always get about twenty times more cotter pins and wood screws than you will ever need, so I threw a bunch out. I now have a manageable and useful number of screws, all visibly sorted in Sanka jars. And guess what? I thought I needed another bag or two of sheet metal screws, that I was running out. Far from it! The single plastic 25 bin cabinet I kept I reserved for the various other types of hardware I don't feel comfortable throwing out. I cleaned it up a bit... in fact, I think I shall paint it a little, make nice looking machine-made labels for the bins and make it more presentable in my garage.

I also framed and hung up a cool 110th Pennsylvania Volunteer Infantry Regiment flyer somebody printed up on cardstock for recruiting events (I used to be in a reenacting unit which replicated that regiment); I've had it ever since 1985. Now I have the garage wall space for it!

Last night I watched Dark Night of the Scarecrow, a 1981 CBS made for TV movie that I saw when it was originally broadcast. I recall thinking that it was exceptionally good for TV - last night's viewing reaffirmed that opinion. (Netflix member reviewers call it the best made for TV horror film ever, and I agree with this assessment.) It isn't dated at all and, in fact, doesn't have a directorial or writing misstep in it. The plot: a retarded man, mistakenly blamed for the injury of a small child, is murdered by four bumpkins in a cornfield in a small California community; his spirit comes back from the dead to seek justice. It is enjoyably creepy, capably acted, and has a great incidental score. Charles Durning, as a contemptible postman, is especially good. This is an Octobery sort of production... I understand videotaped copies have become Halloween viewing traditions for people. This film has become something of a classic.

Yesterday I learned that the cracked hinge on my VW armrest and the blown front speaker is probably covered by VW's 4 year, 50,000 whichever-comes-first warranty. (The four years comes up next month, and I have 41,000 miles on it.) So I have to get the car into a dealership to get that fixed.

Last night Cari and I went to the pool to do one of the things we do during the summer: cook on the grill. It was very pleasant. The summer heat will get poured down on us in the D.C. suburbs later this week, I hear, so we'll be back at the pool in the evenings.... ahhhh....




6 Jun 2011

Nice weekend... it started Friday night when I spent twenty minutes deep within this thing getting buzzed at for a shoulder MRI. Why does my shoulder hurt? Hopefully I'll learn in a few days.

I also did some more work on the Garage Project over the weekend, thanks in part to yard sale purchases. I like that $1 clock... it matches the light fixtures and goes perfectly.

Last summer I made a musical discovery when I bought Miles Davis' Kind of Blue at a yard sale: I like modal jazz. (This was a major revelation because jazz has never appealed to me at all.) This summer I have learned that I also like Haydn's London symphonies and rockabilly, thanks once again to yard sale CD purchases. While working in the garage I've been listening to a couple of compilations of rockabilly songs and have gotten to like them.

One collection is entitled Whistlebait; it's performed by a kid named Larry Collins. He sounds like a demented dwarf. He was quite the showman, however... check out this video with his sister Lorrie, performing as the Collins Kids. Collins was playing a two headed guitar almost ten years before Jimmy Page! Also, I had to listen to Jean Shepard's He's My Baby about three times in a row. Catchy riff. And there's Billy "Crash" Craddock's Ah, Poor Little Baby. The stops and starts in this are interesting.

I watched a puppet (actually, cut out) adaptation of Dante's Inferno (2007) over the weekend. I give it an "A" for originality and an "F" for the lacklustre script and the usual left-wing entertainment industry political content. (Ronald Reagan and Adolf Hitler share a ring of hell, Dick Chaney has no soul and so therefore he shares the bottom of the pit with Satan - that sort of thing. And I hope there's a ring of hell for somebody who would put Pope John Paul II in a ring of hell.) Gustave Dore's matchless engravings illustrating this work aren't threatened at all by this shabby diatribe.

I like the very first film adaptation of Dante's Inferno, a surprisingly good Italian production from 1911 called L'inferno. You can watch 4:38 of it here, - and you should.

Drat! The right front speaker on my VW "monsoon" audio system blew... it now sounds buzzy. Too much Rammstein, perhaps. Looking at the 4 year, 50,000 warranty on my car - I reach four years next month - it appears that's it's covered, but I'll have to contact a VW dealership to be sure.


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Go to wesclark.com and follow the links. That'll tell you more than you probably want to know.