29 Oct 2010

My candidate for the most thoroughly nit-witted "news" story of the week is this one, about a long-winded (and probably opportunistic) Belfast filmmaker coming up with footage he believes is evidence of a time-traveller caught on a 1928 film. (The youtube video in reference is here.) I learned about this on that fount of all wisdom, Facebook. ("If you think puppies and kittens are adorable, take our survey.")

What is this indisputable evidence? A woman in the background of an obscure clip walks by who appears to be talking on a cell phone - that is to say, her hand is cupped to her ear and she may be holding something.

This one has so many flaws it's hard to figure out where to begin, so I will resort to a numbered list, a favorite literary device:

1.) It is distressing to note that this silliness is presented by no less than the Northern Ireland division of the once credible British Broadcasting Corporation (BBC). Not Weekly World News or the National Enquirer. Lo, how the mighty have fallen!

2.) The filmmaker says "no-one has been able to provide an explanation." No? I can think of at least five, ranging from it being a sight gag and she is perhaps holding a pomander in her hand to ward off the "scent" of the "animals" (the setting contains fake animals) to her having a toothache. Or being mentally ill or distressed. I can come up with many more.

3.) There's a quote I like by L.P. Hartley, "The past is a foreign place. They do things differently there." The "she's talking into a cell phone" observation is one a person in 2010 might jump to. But the film is from 1928. A viewer back then would interpret the scene in an entirely different context that modern viewers might be unaware of. A good exercise is to view the old photographic images on shorpy.com and read the generally enlightening comments provided by intelligent viewers. It is often the case that what you think you're seeing is something different, and perplexing details in images have perfectly sensible explanations.

4.) I am a believer in Occam's Razor, a logical and philosophical tool most simply described as, "all things being considered, the simplest explanation is usually the correct one." How the mental jump to, "She must be a time-traveller!" takes place in this instance is beyond me. But this isn't the first time this sort of thing has happened. Back in 1968 a Swiss writer named Erich von Daniken examined Stonehenge and some carvings in Meso-America and, ignoring Occam and his Razor, deduced that ancient space travellers must have been responsible. His book, Chariots of the Gods? was a best-seller. From wikipedia: "His 26 books have been translated into more than 20 languages, selling more than 60 million copies worldwide, and his documentary TV shows have been viewed around the world." Proving once again that P.T. Barnum was correct in his statement about the birthrate of the gullible.

Enough about this silly film clip. I am sorry to provide even more viewers to the web page and youtube site than it already has, but this sort of thing annoys me to no end.

But let's discuss time-travel, a favorite topic of mine as I do historical reenacting. I am convinced that, in our real world, it is impossible for a human being to travel backwards in time. For one thing, it is difficult for me to conceive of a situation whereby Mother Nature would provide the means for a temporal paradox to take place, whereby, Marty McFly-like, humans can intentionally or accidentally erase themselves from existence. It seems to fly in the face of the way our universe operates. I have read many books containing the physical reasons why this cannot happen, the most convincing explanation provided being that Thermodynamic laws and entropy ensure the one-way direction of time.

Another convincing argument was offered by Stephen Hawking in one of his books - I forget which one. He sensibly asks (I paraphrase), "If time travel were possible, why haven't we seen evidence of time-traveling tourists at important historical settings?" Good question! Are there any journal entries by any of the crew aboard the U.S.S. Missouri on the morning of 2 September 1945 noting strangers in odd dress observing the Japanese surrender ceremony? Or undocumented guests on the stand when Barack Obama was sworn in as the first African-American President of the United States? Or visibly calm and unconcerned people rubbernecking at the fall of the World Trade Center buildings in 2001, or seen milling about in the Zapruder film in exactly the right place to witness the Kennedy assassination in Dealey Plaza, Dallas, Texas in November 1963? No.

Some sci-fi oriented soul might offer a feeble explanation such as, "In the future any time-tourism would be strictly regimented and controlled, and travellers would require period-appropriate garb and behavior so as to not give themselves away," in which case I would hope that William of Occam returns from the past in a puff of quantum mechanical smoke and slaps the fellow silly.

All sorts of things are going on this weekend. Tonight (the weekend begins, after all, on Friday as soon as one steps out of workplace turf) the U.S. Army Strings are performing in Arlington. We may or may not go see that. Saturday morning I drive around to inspect what's left of the rapidly closing yard sale season, and Cari and I are kinda/sorta planning to see the Norman Rockwell exhibit at the Smithsonian American Art Museum. That night we have a church chili social to attend (eh... I don't like chili - I may eat beforehand). Sunday night is, of course, Halloween.

I will go on record as an admirer of Norman Rockwell's art. I know it's not fashionable to admit that among the cognoscenti of the art world, but I don't care. (If any scoff I will reveal that I also greatly enjoyed the Paul Klee exhibition in D.C. a few years back.) Rockwell had technical skill and knew how to tell a story with images. Did his idealistic world of Americana ever really exist? Sure - it's as real as Disneyland Main Street, U.S.A. Does it matter? It's just as real as the various visions and perceptions of the nation we hear during election season... ultimately, perhaps, what we are as a nation is not as important as what we think we are. And Rockwell was one of our best illustrators of this.

Have a great weekend!


28 Oct 2010

In yesterday's blog I mentioned that I didn't have a way to archive these blog entries. I figured out one yesterday so I'm once again off to the races, happily gathering, organizing and archiving records and data, a task I feel a deep satisfaction in doing. The older I get, the more I'm becoming convinced that all along I was really meant to be a librarian.

I came across the records of this gentleman yesterday, Col. Robert L. Howard. Incredible. Written up for three Medals of Honor.

This may be a lowbrow admission on my part, but I find that I enjoy reading the historical novels of Jeff Shaara. As I mentioned before, I am presently reading The Glorious Cause, about the American Revolution. It's helping me to fit the various characters in place: Washington, Cornwallis, Howe, Lee, etc. I always knew about them from other readings, but now, having Shaara's fictionalized little anecdotes and incidents about them in my head, I can connect them better with the things I read about them elsewhere. I see he has written books about other American wars... I suppose I'll come across those at yard sales as well...

"This is a war universe. War all the time. There may be other universes, but ours seems to be based on war and games." - William S. Burroughs

I started watching The Gods Must Be Crazy II last night. I saw the original movie years ago and thought it quite amusing; the sequel is funny as well. If you haven't seen it, the first movie is a South African production starring a Kalahari Bushman named N!xau (that exclamation mark is a tongue click, which forms much of the language of these people). The first film was a slapstick comedy that depicts N'xau's confusion with the ways of civilized town folk. The second film appears to be more of the same.

An interesting feature of the second film is a little ultralight plane which is wicked cool. It looks like a lot of fun to fly around in. I have been unable to identify the manufacturer (a Lazair, perhaps) - but then, I have yet to view the DVD features. Maybe it's described there. Or perhaps it doesn't really exist in real life and is just something constructed for the film. The stunts involving it are fascinating: at one point an updraft takes the occupants to 25,000 feet, where the lack of air makes them high. You find out it also runs on whiskey. At another point the plane lands in a tree and is disassembled and lowered to the ground (!). The wheel is bitten by a small animal, and so to take off the pilot removes the seat, knocks through the floor and runs Flintstones-style. It really is amusing...

My friend Don was watching an episode of the British sitcom One Foot in the Grave yesterday; I highly encouraged this and we exchanged e-mails about this show. I have had more I'm-laughing-so-hard-I'm-running-out-of-breath-and-growing-dizzy moments watching this show than any other on television, it is that funny. The episodes defy description - suffice to say that all sorts of bizarre things happen to an older couple (the Meldrews) and that the plot lines frequently have a dark, wicked twist to them.

One of my favorite episodes takes place entirely inside a little car as the three characters are stuck in holiday gridlocked traffic... a salacious conversation takes place between drivers in two cars stopped alongside the protagonists (through the Meldrews' car), they discover that the garage crew recorded an vulgar, insulting song on the cassette they play on the stereo system, an absolutely improbable and bizarre story is exchanged between the two women passengers, etc. It's hard to believe that so much invention takes place in a parked car! I can't recommend this show enough.


27 Oct 2010

I stayed home from work yesterday; that cold I had over the weekend moved into my chest, dropping my voice about an octave and making my stomach, ribs and back ache from all the coughing I was doing. Coughing is hard work! But I'm better today, thanks in large part to lots of extra sleep and drugs.

I have a note telling me to blog about the "Tron disk." (I sometimes leave myself notes about blog topics.) What's that? Well, a digital legacy, actually.

Do you recall the 1982 Disney film Tron? It had its flaws, but I liked it. I thought the idea of anthropomorphized computer programs (costumes designed by Moebius) fighting it out (timed by processor clock cycles) on a field of silicon in a computer reality was novel and creative. And I'm looking forward to the sequel Tron Legacy, coming out in December. It looks promising - I don't often say that about new movies. I may even want to see it in 3-D IMAX! Anyway, getting back to the original film, the computer programs all seemed to carry a disk, which they could fling about. These were identity disks and held the vital information without which they could not function - whatever they did or learned were imprinted on the disks. In 1982 - I was then an engineering student - I wondered if something like that might not exist in some way, shape or form in the future.

I have finally finished digitizing my old music cassettes, generally from the era 1978 to 2004 (when I fully went digital and stopping putting music on cassettes). I also digitized my better prerecorded cassettes - stuff I like but am not interested in re-buying on CD. It seems that towards the end of each year I get on some kind of archiving kick for some reason; last year it was taking all my childhood photos and putting them into albums, and then making scans of the albums. That took the better part of two months.

I now have the following in digital form:

- All the digital photographs I have ever taken
- The best of the 35mm photos I have ever taken
- All of my parents' photographs
- All photos of genealogical interest
- All forms and documents of genealogical interest
- A genealogical database containing 4,600 names (some of which are for my wife's family)
- My 36 marker YDNA index
- All camcorder home videos taken from 1985 to the present day
- All 1960's and 1970's 8mm and Super 8mm home movies
- The music I listened to 1978-2004
- All family scrapbooks 1980-present
- My written autobiography
- My website text and images on wesclark.com

This can all fit on a one terabyte hard drive! If that's not a Tron disk I don't know what is. (Okay, in point of fact that 1 TB hard disk is more of a brick-shaped thing, but let's not get pedantic.)

A big gap are these blogs; I haven't yet captured all this text I've written for the past few years with any archival method. I have a mental note to work on that before the end of the year...

I am the most thoroughly digitized human being I know. This might lead one to suppose that after I die I will live on in some way, shape or form by way of records or digitized media. But! I once had an illuminating conversation with an older woman at the Berlin, New Hampshire Historical Center. I had done a lot of productive research on my mother's family from the area (Wedge/Aucoin), and was willing to share what I had with the Historical Center. So I phoned and asked in what format she wanted the data, CD or e-mailed files. Her response was interesting: Paper. "Why?" I asked. First of all, Berlin is big on paper (at the time there was a pulp mill there, since shut down), and paper was the hometown product. Well, okay, actually pulp was, but again, let's not get pedantic.

The other answer had to do with electronic formats. We can read papyrus scrolls that are thousands of years old. In 2,500 years will we still be able to interpret a .jpg, a .pdf, a .doc or a .html file? Probably... but who knows? Paper is more sure. So I sent her data printed on paper.

By the way, I put those digitized cassette music files onto mp3 CDs which I can play in my car. I was concerned about how they might sound - I was expecting less crisp highs than a digital recording would produce, and that is indeed a characteristic of these files. There is a high end roll off present. But, overall, they sound pretty good. There is an emphasis on the bass that sounds great in my VW's "Monsoon" sound system. I was listening to a 1978 recording of Aerosmith's "Sight for Sore Eyes" this morning on the way to the Metro - I can see how I deafened myself when I was a younger man, listening to rock music on cassettes at high volume in a VW.

Oh, and by the way, I do have digitized cassettes of some of the music from Tron on these CDs.


26 Oct 2010

You should know that a hero died yesterday.

John William Adams, Jr., my son's father-in-law - shown at left at my son's wedding, dancing with his daughter Sarah - died of heart-related problems (I am still getting information from my family) in American Fork, Utah. He was only sixty.

He served in the U.S. Army in Vietnam, and was cited with a number of honors and medals, the most notable of which was the Silver Star. I wish I had the write up to reproduce here, but I don't - and it's missing in the incomplete Internet list. Suffice to say that in a war fraught with doubts and political misgivings among the American population he recognized the path of duty and served and excelled, and was rightfully honored for doing so. Our Republic cannot long stand without such men. He is survived by five children and a number of grandchildren. His wife and a child preceded him in death.

Cari and I didn't get to know him as well as we would have liked due to the distance between our home and Utah, where he lived. On the occasions when we met I was struck by the quiet humility and grace with which he suffered his service-related disabilities. He was an admirable man and is greatly missed by his family.

No word yet of a funeral.


25 Oct 2010

Warning! Organ recital ahead!

I developed cold symptoms Friday night (sore throat, sneezing, mild temp) for which I took some Nyquil. The weekend was ruined by the cold, which, yesterday, moved into my chest, where I am now enjoying it. I feel rotten. Fortunately I telecommute so am not sharing this with everyone at work...

I dragged myself over to some yard sales on Saturday, but didn't buy a thing. I spent most of the weekend slumming around the house digitizing cassettes and watching movies.

The St. Louis Bank Robbery (1959): This late period noir was quite good; a very early Steve McQueen flick. I like it when they use actual street locations for these films. The copyright has lapsed on it so you can see it free here.

I Love Trouble (1948): A distinctive film noir in that it has the most complicated plot in any noir I've ever seen, bar none. Very hard to follow. Just when I thought I was following the plot some gal in a mink would step in holding a gun or some thugs would arrive and beat the crap out of the protagonist, putting me back on square one. Those late 1940's audiences must have been able to muster considerable powers of concentration upon movie watching that we don't. (They had no cell phones or BlackBerries as distractions.) Once again, this is in the public domain so it's here.

Just for kicks I watched Torture Garden (1967) last night, a British horror anthology. (Hmmmm... checking my past blogs it seems I've never touched upon this topic, British horror anthologies. Maybe later this week.) This one stood out for me because when Dad and I used to stay up late on Saturday nights watching TV, we'd always catch the over-the-top weird final five minutes or so of this flick, but never the entire film. It mystified me for years. Finally, in the e-Bay era, I bought myself a VHS tape and solved the mystery.

Anyway, what sets Torture Garden apart from its anthology stablemates is the presence of the most enigmatic and little-known of Horror Queens, Clytie Jessop (shown above). Oh, sure, everyone knows and admires Barbara Steele, but how many know Candace Hilligoss, Joanna Pettet or Clytie? It is knowledge vouchsafed to only those of us with a real taste for the obscure - and former Video Vault customers.

Creepy features, yes? She plays a statue or dummy of Atropos, decider of destiny. Burgess Meredith is the star; he plays a devil, Dr. Diabolos. It's perhaps unique that in her three films (described here in her only web page), she utters not a single line of dialogue. Her role in Torture Garden is pretty cool; she gets injected into each story in some odd, fleeting way - a woman walking though a museum, a portrait on a wall, a nurse... And, as it turns out, bad continuity only helps her scenes as the dummy. In some shots she stares straight ahead, in some she stares sideways - it's disconcerting.

So what happened with her career? She wrote and directed a 1986 film starring no less than Lee Remick, and dropped out of sight. At some point she opened an art gallery in London - but nobody seems to know much more than that. Maybe she still roams the streets of London. Maybe I walked by her without knowing it when I was there (shudder.)

I'm nearly 200 pages into Shaara's book about the Revolutionary War; George Washington just kicked British butt at Princeton after beating the Hessians at Trenton. I don't care what tactics or what war you compare him to, that's real generalship!

Also, I finished digitizing all my car tape cassettes from 1978 to 2004. Now I'm working on the Lps I put on cassettes back in the Seventies, like Heart's Magazine and David Bowie's Low, stuff like that.



22 Oct 2010

Here's a funny coincidence. While I was lying on the ground "dead" at the conclusion of the battle of Cedar Creek last Saturday, I saw a Yank reenactor and a Reb reenactor shaking hands. I asked them to repeat the shake so I could get a photo of it; I recognized that it would make a nice final shot for my photo album. So they did.

Earlier this week my pard Don was looking through one of the Civil War reenactor message boards and saw a posting (a shot in the dark): "Could whomever had me shake hands with the Reb at the end of the Saturday Cedar Creek contact me? I'd like a copy of that photo." So Don sent him the file (I had earlier sent it to Don via CD). Small world.

To continue yesterday's discussion about my wife's baking skills: People who get to know Cari tell me that I'm a lucky man. While I readily acknowledge this, I also maintain that careful selection on my part played an important role as well. When we were dating, Cari sealed the deal by making me a Baked Alaska one evening. Do you know how those are made? It's an interesting process.

She took a commercially-produced pound cake (or you can bake one of your own from scratch), and cut it down the middle horizontally and lengthwise. Apply a layer of preserves; I think she used raspberry. Put the halves back together and, with a spatula, apply softened vanilla ice cream all over. Freeze so the ice cream is hard. Then, with a spatula, apply a meringue topping so that the whole thing looks like a snowy hilltop. Here's the neat part: tan the meringue slightly by putting the Alaska in a very hot oven (I think 500 degrees) for a short time. Then remove and drizzle with dark chocolate. Wow.

It was then I fully appreciated that this was the woman I wanted to marry! Truer words were never written: "The way to a man's heart is through his stomach."

It wasn't until we moved to Utah, however, when I was attending college, that I fully realized what a formidable cook she was: She won a blue ribbon for her cherry pie in the Utah County State Fair! Why is this significant? Consider that Utah is a state where the traditional values are observed, a place where women often choose to stay home and practice what used to be called the homely arts, of which cooking is a part. There are a lot of enthusiastic homemakers in Utah. Consider also that Cari was only 24 when she won. In fact, when she was given the ribbon the older woman who handed it to her looked at her strangely, as if to say, "But you're so young!"

By the way, I am not one of these people who disparages homemaking, or forgoing a career in the workplace to stay at home and tend the house and children. Far from it! The home economics degree has real value, in my eyes. (So does the Library Science degree, but that's another blog topic.) I have seen far too many poorly-run households. The ideal household is a refuge from the world and a place where the family feels at home and recharged. It truly is a bit of heaven on earth. And my home is, thanks largely to Cari's skills as a homemaker. I will not disparage women who seek success in the workplace - but I will not allow full time homemakers to be disparaged, either. The home arts are skills that I see are disappearing fast, and it's high time we granted the home economics profession the value it deserves.

I entered the work of work in 1984, when I graduated from college as an electrical engineer. I've been working as an engineer ever since. While I have achieved some notable things in those 26 years, none of them compares with the joint work Cari and I have put into our home design and maintenance, raising our children, maintaining our traditions, scrapbooking, genealogy and volunteer work. For me, a bad day at home beats a good day at work.

I saw a minor but amusing noirish film last night "The Amazing Mr. X" (1948) - dumb title for a decent film about a confidence man who poses as a psychic medium. (It's like the 1947 film noir "Nightmare Alley" in that respect.) I think "The Spirit World" would have been a better title... Anyway, you can see this film for free at the link above. The primary reason to see it is that the lighting was done by John Alton (born Johann Altmann), the master of mood lighting and a favorite among noirheads. That man manipulated blacks, whites and grays the way Beethoven wrote symphonies - amazing. I blogged about Alton earlier this year.

This film is a particularly good display of his prowess, even on the somewhat crappy medium of a lesser print digitized as a file and delivered via computer. There are scenes that look simply luminous in a way that is only achieved by the best black and white cinematography... just wonderful. I'm always willing to watch an Alton film; I've seen thirteen. A good quote: "It's not what you light. It's what you don't light."

I am now reading "The Glorious Cause" by Jeff Shaara, a book about the Revolutionary War and, inevitably, a yard sale paperback. Shaara, a novelist who writes historical fiction and who is best known for his Civil War books, is an entertaining writer. I never feel, well, improved, as I do after reading one of the classics - like Maugham's "Cakes and Ale," for instance - but I have never regretted reading one of his works, either. He's one of the relatively few New York Times bestselling novelists I will read.

Ahhhh... Friday. That means a lunchtime Robek's Acai smoothie and a phone chat with my high school pal Mike. Sadly, Cari has to work tomorrow. I think, after yard sales and lunch at home, I shall continue the Garage Project. OR... I hear there's a newly-opened museum facility - a small one - on the Second Manassas battlefield site. Perhaps I shall visit. My pal Luben gave me his old chainsaw the other night... I should wind it up and try it out.

Yard sale season is just about over, by the way. They start disappearing in November and reappear in late March. It all depends upon the weather.

Have a great weekend!


21 Oct 2010

My hometown, Burbank, California, has some serious film noir credentials. Consider:

1.) Being home to Warner Brothers and the Columbia Ranch film set location, many fine noirs were filmed there. (Any 1940's/1950's Columbia movie set in what looks like New York City is really in Burbank.)

2.) The Mabel Monohan murder took place in town in 1953; it provided the basis for an excellent (if very biased) 1958 noir, "I Want to Live!" starring Susan Hayward.

3.) James M. Cain, a novelist who wrote in the hard-boiled style, provided the source material for many fine films noir, lived there for a time. In fact, he wrote the celebrated "The Postman Always Rings Twice" in Burbank.

4.) The excellent 1975 neo-noir "Night Moves" is set in Burbank; it was something of a thrill for me to recognize locations where I had grown up in the film.

And, as I discovered earlier this week,

5) In 1952 Burbank was the real life setting for a Kefauver-style crime and corruption clean-up effort. It's all described in an article that my friend and fellow researcher Mike found in an old copy of a Coronet magazine. It's very much a case of when real life resembles art; this very same story formed a basis for two good noirs, "The Captive City" (1952) and "Phenix City Story" (1955).

The Burbank Police Chief and members of the City Council controlled by the Mob... next time you see one of those 1950's productions decrying crime and mob takeovers in small town America, reflect that it actually happened!

I was digitizing some cassettes from 1995 last night, and stumbled across a song I used to like, the winsome Suzi Quatro's "The Wild One." Only this isn't the raucous, noisy version from 1974 that became a minor hit for her. This is a more restrained version - an alternative take of some kind. What makes it funny to me is how it starts, with the guys in her band singing "Sha-dosh." Not the usual "sha-boom" or "sh-bop," but "sha-dosh." It sounds like the name of a city in the Babylonian Empire, or a place in the Old Testament. I smile whenever I hear it.

Last night my wife Cari (a formidable Domestic Diva) hosted a church class on how to make peanut soup and pumpkin muffins, our traditional Christmas Eve meal. Peanut soup is a colonial Virginia dish. We first tasted it at the Virginia Inn in Occoquan, a place we sometimes went for our anniversary. As is her wont, Cari quickly found a recipe and adjusted it to taste... she also developed a killer Key Lime Pie that way.

While on the subject of pies I have to tell this story: One night many years ago we attended a church social for which Cari donated some of her justly celebrated home made pies. Imagine her horror when some sweet young Mormon wife accepted her pie, carried it to a table, took out a can of Reddi-Whip and proceeded to spray it on her pumpkin pie, thoroughly gilding the lily.

But the real terror was in a mint cream pie I tried. I took a bite and had to close my eyes as I swallowed. You see, we Mormons don't drink alcohol, and so some sweet young thing probably substituted the creme-de-menthe the recipe called for with mint extract, one-to-one! To this day I call it the "Mouthwash Pie." I offered the plate to Cari and invited her to take a forkful - the look on her face was priceless...

Cari occasionally takes part in women's cooking socials at church, where everyone bakes cookies, brings them to the social, and takes home a selection of cookies made by other women. I have always considered these the rawest of raw deals. Cari's chocolate chip cookies, snickerdoodles and shaped cookies represent the summit of continuous evolution and improvement over thirty years of marriage. You might find cookies these tasty and well-made elsewhere, but I doubt it. So what happens is, in the name of sociability she bakes up a batch of perfection, takes them to the social and brings home the flat, greasy, ill-formed efforts of lesser cooks. Boo hiss.

Church is not necessarily where Cari has gotten her best cooking ideas - in fact, quite the opposite. One autumn just after we were married the women did a social where the aim was to produce a seasonal something called "Dinner-in-a-Pumpkin," a vile, reprehensible concoction that looked unappetizing and tasted worse. Imagine a meal jammed into a small, hapless pumpkin. That was it, just as the name implied. Looking back on it, I am confident that the only cooking or baking missteps Cari has ever done were caused in some way by our church attendance.

But I do take pity upon men married to lesser cooks, I truly do. Every now and then Cari will bake her blueberry pie (if my house is where pies go to heaven when they die - and it is - the blueberry pie is the archangel) and give away slices to people. I don't begrudge this partitioning off of a valuable household product - at least not too loudly. There's one guy at church whose face positively lights up when Cari lets drop in a conversation that she's baking. I consider it Christian charity on my part.

Lord! How that woman can cook!

Is it lunch time yet?


20 Oct 2010

I had my performance appraisal at work yesterday. Does anyone ever look forward to these? I was expecting it to suck. But it didn't. In fact, it was the best score I've had in two years, the reversal of a depressing trend. I may even get a bonus. So hooray for unexpected non-suckages.

I am a little annoyed with some "training" I see taking place at work, however: "Dealing with Difficult People." Why are they encouraging this accommodation, and why do others have to take the training? Why not have a class, "How Not to Be A Workplace Jackass," or, better yet, "Firing Difficult People?"

I pitched "Thud Ridge" into the trash. Too much of the text appeared to be verbatim citations from radio traffic via a tape recorder the writer kept in his cockpit. While this may add authenticity for readers who are fighter pilots, I was unsure of what was going on most of time and so lost interest. Also, the writer seemed disagreeably full of himself.

However, I must admit to a bias against jet pilots. The ones I've come into contact with seem arrogant and have cheated on their wives - so often that my wife and I wonder if it isn't a stereotype. With the humble grunt or cannon-cocker, you get the impression that while they occasionally may find what they have to do to be fun, by and large they sacrifice. With the fighter pilot or chopper jock it seems that there's something Hollywoodian in their DNA. Certainly there's the flash show-off persona stereotype - in fact, there was one such character in Tour of Duty and in episodes of Blackadder. So there must be some fire behind the smoke.

I am now much happier reading W. Somerset Maugham's "Cakes and Ale," which I have somehow unaccountably never read. Maugham (shown above) was my father's favorite writer; he especially enjoyed his collections of short stories, which often graced our kitchen table in paperback form. Even better, as some of these collections were filmed, Dad and I would stay up late and watch them on TV on Saturday nights. I am thinking specifically of "Quartet" (1948), "Trio" (1950) and "Encore" (1951), all of which are excellent and feature wonderful postwar British actors. I have them on video tape.

W. Somerset Maugham's world is that of the old British Empire, c. 1890-1940 (although he lived until 1965), very, as we now say, "old-school." For me it's a reassuring place, where customs and virtues are in line with the man I would have always liked to be. And yet Maugham is no prude (in fact, he had homosexual leanings). He was a man of the world, used to describing those in the highest and lowest levels of his stratified London society. And he does not shy away from sex and passion - it's just that he describes such things with a somewhat world-weary matter-of-factness. I recall being delighted with his novel "Of Human Bondage" when I read it as a Marine. And his play "The Letter" made a fine Bette Davis film noir in 1940.

I completed 1993-1994 in my digitized car tapes cassette project yesterday, a somewhat embarrassing period. Songs include my very short-lived interest with Alan Jackson ("Chattahoochee"), whose music I listened to via a couple who were into line dancing at the time, and some stuff in the "world music" genre, which was becoming popular in the early Nineties. I never cottoned to world music, which I found dull and cloying, and best suited, I thought, to being used as Muzak for a Whole Foods grocery store. I didn't bother digitizing any of it. In fact, as I recall I simply fast forwarded through it whenever I got to it on the cassette.

But there are some gems, notably an original, lengthy orchestration of Richard Rodgers' "Slaughter on Tenth Avenue" suite from his 1936 musical "On Your Toes." The piece has always been a favorite of mine via my Dad's playing of a Boston Pops Lp when I was a kid. But this version has the original arrangements, and it just sparkles with 1930's sass and jazz style.

I've always had a respect for and a taste in 1930's style. I think that's because of all the Little Rascals episodes and old movies and cartoons I watched as a kid. And enough of the 1930's still persisted by the early 1960's - when I was a boy - that I could experience some of it first hand (I am thinking of store fronts, appliances, books - that sort of thing). I think perhaps it's like my children knowing a thing or two about the Seventies, despite the fact that they didn't live though the period or remember it. They got it second hand.

I got a couple of very promising pieces to learn last night at piano practice: a tuneful little work by 18th C. philosopher Jean-Jacques Rousseau (yes, he also wrote music) and a simplification of Clair de Lune by Debussy that I very much enjoy working on. Now we're talking! None of this baroque muck.


19 Oct 2010

I am now reading a tale of F-105 bombing runs over Hanoi entitled "Thud Ridge" (a "Thud" being a term of endearment for an F-105) by Col. Jack Broughton, U.S.A.F. (Ret.). As I just started it I have no report other than to say it was the top book in my "to read" stack. I think I got it for a quarter at a yard sale some weeks ago.

Speaking of war stories, I forgot to mention that Friday night around the Cedar Creek campfire was dominated by two-fisted he-man tales of Navy life aboard carriers, destroyers and on shore leave. As it turned out, three of our ersatz Civil War grunts spent time in the modern U.S. Navy. (A fourth ambled over to take part in the conversation from the adjacent company street when he heard the word "carrier.") So I got to hear about guys getting sucked into jet intakes, falling off ships, drunkenness and the tedium of life at sea. It was quite amusing.

I remember walking home from high school one day, wondering what I was going to do with the rest of my life after I graduated. The thought occurred to me that perhaps a life at sea with the Navy might be something I'd like - I don't know where that idea came from. And these days, with my life almost irrevocably patterned out for me, it still occurs to me that this would have been a viable option. But all of my Navy friends assure me that it is mostly drudgery and petty harassment enlivened occasionally with moments of terror. So... who's to say?

I watched about half of a dud quasi-film noir last night, "The Big Bluff" (1955). As it seemed to be more of a romance with noirish overtones I quit watching. Sometimes there are compelling reasons why films fall into the public domain and wind up on the Internet Archive...

So - I went downstairs and watched the 45 minute live concert footage of Pink Floyd playing their epic (there is no other way to describe it) "Dark Side of the Moon" Lp at Earl's Court, London, in 1994. I have it on VHS. It's available on DVD as "Pulse." It is sensational. I have never heard Floyd sound better and the light show is colossal; definitive arena rock. David Gilmour gets more groovy tones out of a Stratocaster than just about anyone in The Biz save Jimi Hendrix.

Whenever I hear the beginning organ chords and guitar notes from the song "Us and Them" from Dark Side of the Moon I always think about my very first morning in Marine Corps boot camp. That was October 1974, 36 years ago. We had been rousted out of our racks at some ungodly hour of the morning and "marched" (we didn't know how to march yet so we kind of mobbed over) to the mess hall. It was cloudy and dull, and chilly. We had just had our hair shaved off at the barber's the night before and so my head felt every wisp of breeze. It was quiet, and I was standing at attention holding a compartmented metal tray in a strange, institutional-looking place in a long, single file line, waiting to enter the chow hall with a hundred or so other recruits - a forlorn scene. It was then that the song became irrevocably imprinted in my head: "God only knows/It's not what we would choose/To do, to do..." But I did choose to do it.

Before I left, a customer - a former Navy guy - at my Mom's cafe took a drag off his cigarette and predicted that at some point in boot camp I would regret my decision and be very sorry I enlisted. That never really happened; I kept my eye on the target and knew that some day I would graduate and would have achieved something that would have importance for the rest of my life. But that morning, standing in that line with that minor key tune in my head, was the closest I came to regrets in my entire four year stint.

Confrontational as I can be, I am a bit sorry I never had the opportunity to meet these people who made predictions about my future... Aboard my first duty station in 29 Palms, CA, we got a "welcome aboard" briefing from a crusty sergeant major. He lectured us about the various sins and errors that the typical eighteen year-old Marine private or PFC makes, and, at one point, asked us to raise our hands if we thought we'd never get drunk and drive. I raised mine; there were perhaps five others in the room who did so. "Oh yeah?" he said, looking at us belligerently, "I'd like to see you again in five years!" Oh yeah? I'd like to see him in 35!

I see somebody fired upon the National Marine Corps Museum over the weekend. Too bad the museum couldn't return fire...

I have a piano lesson tonight; my teacher is bound to be displeased with my performance of a minuet I was tasked to learn. I dislike it and just sort of avoided playing it whenever I sat down on the bench. I have two more baroque pieces in this book I'm going through; I think we're going to skip those and move ahead into the classical era pieces. Baroque music, to me, is musical wallpaper, and I dislike playing it even more than listening to it. My other piece is a three pager in modern style I have become somewhat proficient with.

My blog entry of yesterday, asserting the supremacy of the Beatles, has caused a bit of a fuss over on Facebook. Hey, the truth hurts.


18 Oct 2010

Cedar Creek was great! A lot of fun. As promised, photos here, in my Picasa photo album.

I didn't get a whole lot of sleep Friday night. While it was chilly and windy, I was warm in a sleeping bag, so that wasn't the problem. What was was a train we called "The 3:10 From Yuma" coming through a couple of times in the early morning hours and the presence of what sounded like two or three teenage girls jabbering away until 1 AM or so - "The View." I finally jammed some ear plugs in my ears, which did the trick. I may have to try that at work...

Young Aaron, a sixteen year old whom Chris brought, gave the event a "6" on a 1 to 10 scale. Either he's a hard grader or he wasn't terribly impressed. We may or may not be seeing more of him on the field of (reenacted) battle.

This very day - 18 October - is the 40th anniversary of the Northern Virginia Bunny Man legend; it was 40 years ago today that a strange man in a bunny suit attacked the Bennetts with a hatchet. Full library story here. Also, my blog entry on the subject (you can see the hatchet) is here. The Bunny Man has never been caught, nor has he ever revealed himself. Perhaps he's still out there. 40 years ago today... or, rather, tonight. I wonder who he was... the Bennetts, whom I interviewed, haven't a clue. Well. There's another mystery for me to work on after I die and go beyond the veil of death. "Hey, that guy wearing a bunny suit who threw a hatchet at the Bennetts in 1970 - could you and the real Jack the Ripper step forward, please?"

I was doing some Burbank research in old L.A. Times editions last week when I came upon a fascinating article about how Mother Nature adjusts births during and after wartime so that more boys are born, apparently attempting to replenish battlefield losses; a thing I had never heard of before. A quick google search convinced me that the phenomena is indeed true. (Another article here.) But how? It's sort of like the old joke about the thermos keeping hot liquids hot and cold liquids cold - "How do it know how to do that?" That's the point of contention.

For some reason I awoke at 4 AM this morning with an idea fixed in my head: The Beatles were the greatest pop/rock group, ever. It's arguable, but I'm prepared to argue it. Their catalog is to pop and rock as Beethoven's symphonies are to concert music: revolutionary and transformative. Consider - who is in their league?

Elvis: The early Beatles saw him as their target; they wanted to be as famous as Elvis. But musically, Elvis was a song stylist. A magnificent one, but a song stylist nonetheless. Elvis did not compose his own music - the Beatles did. While there is but a step or two between "Hound Dog" and "Suspicious Minds," there are light years between "Love Me Do" and "Hey, Jude."

Rolling Stones: The Stones always followed in the Beatles' wake, and the Sgt. Pepper Lp far outclassed everything in its field, especially the Stones' sad effort "By Their Satanic Majesties Request." Whatever it was - sitars, string quartets, feedback, backwards recording techniques - the Beatles did it first. Now, people can express a preference for the Stones over the Beatles because the Stones were less parent-friendly, but that's not a musical consideration.

Led Zeppelin: Jimmy Page would be the first to admit that were it not for the Beatles, Led Zeppelin couldn't exist. And while Led Zep did have their moments of lyricism, their music cannot compare to the Beatles in breadth of style. (Quick: Name the Led Zep counterpart to Goodnight, She's Leaving Home or When I'm Sixty-Four.) The logical extension of the Beatles harder edged stuff was Led Zep. The logical extension of Led Zep are clownish, heavy metal and hair band acts. Not in the same musical league.

Frank Sinatra: Like Elvis, Sinatra was a formidable song stylist, but he did not write his own music. Frank Sinatra, a man who knew a thing or two about romantic songs and ballads, called "Something," "...the greatest love song ever written." While I admit Frank Sinatra was the greatest entertainer of the 20th century, I consider the Beatles to be far more influential musically. (Consider the number of singers, including Sinatra, who adapted Beatles songs for themselves...)

Bob Dylan: I consider Bob Dylan way overrated, but I have to admit, he is one of the dominant musical and cultural influences of the Sixties. The Beatles would agree - they loved his music. So yes, perhaps Bob Dylan is in their league - despite the fact that his music doesn't display the astonishing variety in style and arrangement of Beatles music.

The Beach Boys: By that I mean their songwriting and production genius Brian Wilson. The Beatles actually felt competition from him; Sergeant Pepper was a result of the Beatles trying to equal Pet Sounds. So yes, I must include Brian Wilson.

Jimi Hendrix: A guitar virtuoso and innovator with respectable songwriting abilities. He's in the Beatles league as a musician, without any doubt. But as an overall musical influence? Well... I don't think so. The Beatles were so much more than a distorted preamp sound, which was, after all, Hendrix' primary muse.

Motown: Yes, Motown, considered collectively, was in the Beatles league. Like everyone else, the Beatles loved the Motown Sound. But remember, we're talking about dozens of songwriters and dozens of artists.

I think what really seals my argument about the Beatles' preeminence in pop and rock is that it's been 41 years since they broke up, and there has been nothing remotely like them since. Even Sir Paul McCartney, the Guinness Book of World Records' Most Successful Musician Ever... while he's had scads of hits on his own and with Wings, by general critical assent it's only infrequently that he approaches his Beatles peak.

I say again, the Beatles were the greatest pop/rock group, ever.

Do you have an artist you'd like to submit? First, ask yourself these questions:

1.) Has the Media ever placed the suffix "-mania" behind his or her name?
2.) Does his or her generation know his movie the way the Beatles' generation knows "A Hard Days Night" or "Yellow Submarine?"
3.) "Yesterday" has been covered by more artists than any other song. Can your artist make a claim like that?
4.) The Beatles are a multi-generational phenomenon. There are teens today who are rabid Beatles fans. Is that the case with your artist?
5.) Say "John, Paul, George and Ringo" - everyone knows who you mean. If you use your artist's first name only, is he or she as universally recognizable?
6.) "Yellow Submarine" was a favorite school age children's song. Your artist's was...?
7.) Does he or she also exist in Saturday morning cartoon form?
8.) The sound of audience excitment at concert performances drowned out the performers. Is that the case with your artist?

And so it goes... Some acts may meet some or many of these - none meet them all.


15 Oct 2010

Last night we did stuff for the "Showman" activity pin (a weird looking design, by the way) in Webelos Den; we talked about music (nearly all the Cubs take lessons on instruments), played some selections from American composers, that sort of thing. It went well. It didn't reach the heights of excitement attained last week with the use of dry ice (how could it?), but I can check that box.

Our attempt to grow a sugar crystal with the use of a string suspended in a thick sugar water solution was a flat failure, I am sorry to say. But in the best cheerful scout tradition I invoked Thomas Alva Edison's quote, "At least now we know what doesn't work!" and invited the scouts to speculate as to what went wrong. One offered, "Our string was lame," which may have been correct.


Someday I still want to do a tour I had in mind many years ago, which involves an inspection of a discarded fat dumpster behind a McDonald's, a visit to the county dump and a tour of a jail. The kind of thing the scouts will never forget!

I achieved a neat little victory in Burbank, California historical matters this week. My friend Mike asked me to do a Los Angeles Times historical search on the Burbank chapter of the Gold Star Mothers, which I did. I came across one article from 1952 which mentioned a "Book of Heroes" at the Burbank main library. Hmmm. Neither one of us had ever heard of this, and since Mike is on the Veteran's Committee and is currently researching veterans for the Burbank 100th anniversary activities, it was a good thing to check out. So I contacted the library's reference desk and got their head librarian to work on it. A quick catalog search turned up a children's book by that name - no, that's not it. A further search revealed an uncatalogued and more or less unknown reference work containing 128 pages of ten biographies each of various San Fernando Valley vets - a very nice work to have if you're researching Burbank vets!

My friend Mike has it now and will scan it and send me the files, which I will format for our Burbankia page. Since the library uses Burbankia as a historical reference it works out nicely for all. (Sound of my patting myself on the back.)

I really like doing this kind of thing. I once posted an old article I edited for a Civil War reenactment group newsletter about a 110th Pennsylvania regiment soldier named Enoch T. Baker. Not long afterwards a google search led a descendent of his to the page. I got a nice e-mail from him about it, thanking me for the information (scroll to bottom of page).

The same thing happened when I posted my father's World War II unit history, which contained a roster of the unit at the end. I got a number of e-mails from children and grandchildren thanking me for the information, which appeared nowhere else on the Internet. (Sound of my patting myself on the back.)

I am about ten years away from retirement as an engineer, and at this late stage it finally dawns on me what I like to do best in the way of work: look up, present and archive information (the classic librarian functions and records management) with additional emphasis on communication, writing and photography (journalism) and research (genealogy). In other words, I have finally figured out what color my parachute is. Or what shades, anyway. When I was fifteen I applied for a part time job within the Burbank library system; I didn't get it because they required a minimum age of sixteen. I have always maintained that this was a strategic error on the part of Burbank as I would have made a damn fine librarian. As I learned this week from the Burbank head librarian that they use my website often for historical inquiries, I guess I really am one anyway! I just don't paid for it...

I have gotten to Rutherford B. Hayes' involvement in the battle of Opequon and Cedar Creek (1864) in that book I'm reading, which is appropriate since I'm departing this afternoon for Belle Grove, VA to take part in the Cedar Creek reenactment scheduled this weekend. No yard sales for me - I'll be in Mister Lincoln's Army. As usual, my pards Don and Chris will be accompanying me. Our mighty muskets Rebkiller (mine), Facilitator (Don's) and Muffin (Chris') will be heard by the Rebs (but not felt - we fire blanks - alas). Chris is also taking along a sixteen year-old from church, who will become "blooded" - and I use those quotation marks in the most figurative sense. Naturally I will take exciting battlefield and camp life photos, which I shall post to my Picasa photo album when we get back. Stay tuned!

Have a great weekend!



14 Oct 2010

Okay, this is incredibly, unbeatably cool: Homemade HD footage of a low budget flight into space. The guy's kid even did the countdown and the spacecraft rescue note. (I nominate his father for Dad of the Year honors.) Ain't technology amazing? This is the sort of thing I would have killed - killed! - to do when I was a lad, back in the Mercury 7 days. I had to settle for my mother's map of the solar system mounted onto a big piece of plywood, with Christmas lights stuck therein. But that wasn't bad...

I've been exchanging e-mails about The Nam with my pard Don, who served there with the U.S. Navy. He, in turn, has been scanning his HansonGrams (ship's newsletters) and sailing the seas of nostalgia - or what passes for it in wartime.

I called to his attention some information about a pretty gal who did the weather for the Armed Forces Network during the Vietnam years - Bobbie Keith - and asked if he ever saw her broadcasts. No, he didn't, but he did find Chris Noel (shown above) memorable; she was apparently to Vietnam what Betty Grable was to World War II. Here's her comic book. So here's a respectful salute to Bobbie and Chris, who supported the troops and boosted morale at a time when it very much needed boosting. By the way, they both still continue to serve Vietnam vets. Admirable women!

But... I wonder... who is the Betty Grable, Chris Noel or Bobbie Keith of the present Iraq/Afghanistan Wars? Or is that considered sexist? And with the present controversy about eliminating the "don't ask/don't tell" policy, will a gay male weather guy be required for balance, or some lesbian? "When I joined the military it was illegal to be homosexual, then it became optional. I'm getting out before it becomes mandatory."- General J. Wickam, U.S. Army, Retired.

The topic comes up, was there a Betty Grable pinup girl for older American wars (or at least older American wars, as reenacted)? Indeed. We called her The Goddess of Liberty.

Hey, speaking of Wonder Woman, I saw a neat little animated feature last night, "Justice League: The New Frontier" (2008). Despite the really lame storyline (an enormous floating sentient island of power bedecked with thousands of flying dinosaurs threatens mankind), it was quite entertaining and fun. In fact, it causes me to think that perhaps the best possible format for depicting comic book superheroes isn't a live action movie, but an animated feature. The 1992 animated Batman series is, to me, the best realization of the character I've seen yet, and the "Brave and Bold" series I saw earlier this year was also excellent. And it seems no matter how much time and money they put into costuming, a human being wearing superhero garb almost always comes up looking vaguely ridiculous (the sole exception is Iron Man). This isn't a problem with animation.

I'm hoping that eventually they'll do an adaptation of one of my favorite superhero teams for the Sixties, the Metal Men. They weren't edgy, dark, realistic, socially responsible or topical - they were just fun.

Now I'm reading about the Civil War exploits of Benjamin Harrison and "Coffee Bill" McKinley. Enlightening, but these fellows were no Ulysses S. Grant.

And neither am I, which I'll be proving yet again at this weekend's Battle of Cedar Creek reenactment when I shirk duty, dodge responsibility and otherwise act like an obstreperous Boy Scout.

Webelos Scout Den Meeting tonight. I have no idea of what we're going to do for an hour, but I'll think of something. It won't be as good as last week's meeting - we had dry ice - but whatever it is I'll make it loud, in their faces and enthusiastic. Maybe we can learn fire making techniques using matches and gasoline. No? Something else perhaps.

I am really struggling with one piece I have to learn on the piano, a baroque minuet. I find baroque pieces really challenging and a bit unpleasant because the left hand is treated like the right - both play melodies or counterpoint. My teacher says, "All you want to do is play melody with the right hand and doo-wops with the left, huh?" Well, no, I wouldn't quite put it that way, but I'm looking forward to getting into the classical and romantic era pieces in my lesson book, which are less frenetic than baroque.

I had a milestone this week: a three page piece to learn. As it's mostly arpeggiated chords, it's not hard and rather fun to play. But it's more of a confidence-builder than it is a seriously challenging piece, or a piece I'd feel proud about learning to play well.

I have now been taking piano lessons for one year; it's been a year since I bought my spinet from hell. My teacher assures me that I am ahead of where the average student would normally be after the first year, but of course I want to be further along in order to keep up with all the tunes in my head.

Speaking of that, I am driving myself nuts by hearing Todd Rundgren's "Love is the Answer" in my head all week. I had an idea getting that CD at the yard sale might cause this...


13 Oct 2010

My pard Don Tracey says, "Be sure to wish the USN a happy birthday today on the blog," which I am happy to do. To commemorate it, I shall provide a link for my favorite part of Irving Berlin's "This is the Army" (1943): "How About a Cheer for the Navy?"

I watched a recent Coen Brothers film last night, "A Serious Man" (2009) - a story about a modern day Job, beset by ill-fortune. It was... okay. By and large I found it rather self-indulgent, pointless and only funny in places. The message, if there is one, seemed obscure and trivial, or, worse, reflected in the words to a Jefferson Airplane song. I maintain the Coen Brothers' best works by far are "Blood Simple" (1984) and "O Brother Where Art Thou? (2000). My son loudly disagrees, but I think their worst film is "No Country for Old Men" (2007), which I found to be totally unsatisfying and put me off the Coens for a while.

I also watched "Heavy Load" (2008), a rockumentary about a British rock band, three of whose members are mentally disabled. Again, it was... okay. I found myself glancing at my watch now and then.

Ever heard of the Prandtl–Glauert singularity? Neither had I. Makes for some cool photographs. (See above.)

I see the Miami Transit Planetarium found a "Star Gazer" replacement for Jack Horkheimer, who died earlier this year. His name is Chris Trigg. He's not much of a personality; I miss Horkheimer's chortling bonhomie. But at least the show is being continued. The current show.

I am now reading "Touched by Fire - Five Presidents and the Civil War Battles that Made Them" by James M. Perry. It's about the Civil War experiences of Grant, Garfield, Hayes, McKinley and Harrison. I'm reading about Garfield's Big Sandy Valley (Kentucky) campaign of 1861/1862, which, strangely enough, I've never read about - or remember reading about, which is probably more accurate. The score: Union 1 - Confederates 0.

Yesterday on Burbankia I posted an olde-tyme image of the Ralph's grocery store on the corner of Buena Vista and Victory - one of my childhood haunts. This photo is probably from the early Sixties, just after the space-age building was built. I don't believe I've ever seen six flags flying from those six flagpoles.

I have fond memories of the place for three reasons: 1.) I used to go to the liquor department (on the right side of the building) where the magazines and comic books were kept, to read comics. I would spend an hour or so, sitting by the magazine stand, reading comics that I might or might not buy. Every now and then I'd get routed off by an irate adult employee because I'd crease the magazine covers by sitting on them. 2.) The huge parking lot (not seen) to the right of the building was where my friend Richard and I would give each other shopping cart rides - I, in turn, would give rides to the girl across the street, Viki, an endeavor described fully here (Viki section, 3rd paragraph down). 3.) Five years later in that same huge parking lot I learned the mysteries of standard transmissions in my Dad's Karmann-Ghia. Every Sunday afternoon we'd do practice drives.

As I recall, the building had a semi-flat roof which leaked all over whenever it rained. I remember buckets in the aisles all over the place.

My first memory of the place was the parking lot carnival located there in early Spring 1965, just after we moved to Burbank from Los Angeles. It was the usual traveling thing, seemingly run by tattooed fifteen year-olds. The ride that we kids all talked about was "the Hammer," which did a 360 degree rotation and held one upside down for a moment or two. The test of manhood was to endure this ride without barfing. Childhood lore was that the inside of the ride smelled like vomit. When I finally rode the thing I was a bit chagrined to discover that not only did it not smell like vomit, I was in absolutely no danger of vomiting. It wouldn't be the first time I'd ask myself, "Is that all there is?"


12 Oct 2010

Back to work after a three day weekend - what joy. Of course, it's far better than not having a job, which is certainly a possibility in this miserable economy.

I found three CDs and four books at yard sales, so I consequently spent the weekend listening to Todd Rundgren's Greatest Hits (fifty cents). He once wrote a song entitled "Love is the Answer" that was a major hit in 1979 for an act called England Dan and John Ford Coley. When I first heard it I was sure that it was a Todd Rundgren song as it had all the hallmarks - sure enough, it was. Now I have a recording of Rundgren performing it. Good tune.

I also bought a Sibelius CD - I didn't have a recording of "the Oceanides," a piece I once heard played by the National Symphony Orchestra at the Kennedy Center. Had to have it. ($1) I also bought a CD of the Righteous Brothers' Greatest Hits (fity cents). Or hit... I think they really only had one, the epic "You've Lost That Lovin' Feeling" from 1964. No, wait, I'm forgetting about the somewhat overwrought "Unchained Melody" from 1965...

I'm also continuing to digitize car tape cassettes; I am now done with 1979-1989. I have about six cassettes from 1978 to do, and then odds and ends from 1990 on. The source material for most of the Nineties tapes are CDs which I still have - no need to digitize those. It's cool to listen to tunes I haven't heard in a decade or so and have forgotten. For instance, "Hey Hey Helen," the great unknown ABBA song. I've always liked that clavinet in the chorus...

The other night I spent some quality time with my turntable playing a 31 year-old Roxy Music Lp, "Manifesto." ("You're dressed to kill/And guess who's dying..." - Dance Away) They were a great band... and I was pleased to note that since I immediately recorded the Lp onto a cassette to listen to upon purchase the vinyl is in very good shape - no clicks or pops. Also, I think my replacement stylus sits in a slightly different, cleaner, part of the groove, which helps.

I also finished watching season three of "Tour of Duty," so I have now seen all 58 episodes. My initial assessment from 1990 was accurate: unless you get caught up with the characters you can safely avoid season two and concentrate on seasons one and three. Season one is best; in fact, one of the most gripping episodes of the entire series is available to watch on youtube. (Warning! You might get hooked.) The final episode was sad and incomplete, with much of the story being unresolved - much like the war in Vietnam. I got involved with the characters and was sorry to see the show end; I recall feeling that way in April 1990 when it was broadcast.

I watched Lindsay's Anderson's "If..." (1968) over the weekend; it was Malcolm McDowell's first movie. Like most of the youth oriented films of that era ("Easy Rider," "Blow Up," "Alfred the Great" spring to mind), it hasn't aged well. What must have seemed provocative then (at one point McDowell says, "There's no such thing as a wrong war. Violence and revolution are the only pure acts") is tiresome now. Or at least strikes a very flat note in the age of terrorism. From wikipedia: "In 2004, the magazine Total Film named it the sixteenth greatest British film of all time. " I assure you, they are barking up the wrong tree! Anderson's earlier work, "This Sporting Life" (1963), a bleak film about a violent and conflicted rugby player (portrayed by Richard Harris), is a much better effort.

I also watched a recent film by Jean-Pierre Jeunet, "Micmacs" (2009). Like Jeunet's earlier works, "The City of Lost Children" (1995) and "Amelie" (2001), it is French eye candy. The actors and settings look continually interesting, and the plot moves along in unexpected, non-Hollywoodian ways. I was immensely pleased with myself in catching the reference to Jacques Tati's "Playtime" (1967): At one point a crowd shuffles about in an airport - one of the crowd is a tall man in a characteristic Tati hat and pipe. It occurs to me that Jeunet's films have a certain playfulness in common with Tati's comedies...

Finally, I attended a wonderful Five Families dinner on Saturday night. After eating we adjourned to a backyard firepit where ten middle-aged people discussed kids, aging, home improvement efforts, the economy, our jobs and Jupiter (which was out and shining brightly - that was my contribution).


10 Oct 2010

Today is 10/10/10.

There - I've acknowledged it.


8 Oct 2010

I am now doing some intellectual slumming; I'm reading a fifty cent Stephen King novel I found at a yard sale: "The Girl Who Loved Tom Gordon." It's about a nine year-old girl who gets lost in the woods. Well, I suppose it's about more than that, but that's as far as I've gotten.

Who is Tom Gordon? A Red Sox player I've never heard of until now. (Stephen King, a Mainer, is indulging himself in some crass provincialism.)

Last night I watched a truly dreadful film noir, "They Made Me A Killer" (1946) starring the 1949 Batman, Robert Lowery. Why dreadful? Because it was boring. It adheres to a formula and that's about it. Nothing special about it at all. Sometimes there are very good reasons why films lose their copyrights, become public domain and wind up on the Internet Archive.

I've always been slightly interested to see that corny-looking 1949 Batman serial, but whenever I was about to rent it at the late, lamented Video Vault I'd change my mind at the last minute and get something else. I suppose a realization of the Batman character could be worse - the unendurably campy 1966 Adam West version springs to mind - but what I've always resented was the cover art in the various tapes and CDs of the serial. They try to make it look mysterious, grim, noir and more in keeping with modern sensibilities. Old wine in new casks, in other words.

I will probably never see it as I'm now thoroughly burned out and disinterested with Batman. He's been done to death in every conceivable style and genre: campy, grim, edgy, murderous, animalistic, jolly, community-minded, sci-fi, animated, futuristic, medieval (Elseworlds), etc. Enough, already.

Actually, I tell a lie - I've never seen a truly film noir Batman. I once came up with an outline of what this would be like. If the appropriate Hollywood director could restrain his budget - I think less money would be better idea in this case - and hire a truly good scriptwriter like Robert Towne, he'd have something worth watching. That last Batman movie (Heath Ledger as the Joker) was terribly self-indulgent... what business does Batman have being in Hong Kong? None, I say.

I did a Webelos scout den meeting last night and introduced a sure-fire element of interest to it - dry ice. The requirement for the Scientist activity pin was to describe fog; one sight that group of ten year-old boys will never forget was seeing dry ice fog rising up out of the men's room toilet...

Ruby Keeler and the Busby Berkeley Cat Women! I love this stuff... it's so 1930's surreal.

Why do people like bananas? Because they have no bones. I'll have to do a George Formby blog entry some day. He was one of the Beatles' many influences.

Three day weekend for me - but Cari has to work Saturday and Monday (Columbus Day); I think I may visit the National Arboretum. Never been there. And I ought to make some more progress on the Garage Project; I have a lot of drywall nail holes to fill and sand...

Next weekend is the 146th anniversary Battle of Cedar Creek.

Have a great weekend!


7 Oct 2010

I saw an excellent episode of Tour of Duty last night; I'm nearing the end with the third and final season. This one involved the death of a fifteen year-old private who somehow made it into the Army and Nam. Naturally, he gets killed (gets drunk in town and falls to his death from a rooftop) - which is a sad thing because he fit in well with the ensemble cast. One of the best things about the show was the continuing characters - one gets drawn in with their adventures together.

One of the things I did with my daughter Julie when she was in town was to visit the Westminster Burying Grounds in downtown Baltimore - an interesting place! The most celebrated person buried there is Edgar Allen Poe, who has a rather elaborate tomb. (Continue past this photo to see the nearby plaque. And I see there's a piece of classical music about this object - that's a surprise.) In 1875 French poet Stephane Mallarme composed a poem, "Le Tombeau d'Edgar Poe" - the verses of which make little sense to me. I suppose he was after overall effect rather than word by word intelligibility...

But that's not his original burying place, which is elsewhere in the cemetery and has a stone of its own. People leave little written sentiments on slips of paper, some of which Julie and I read. This is the location where the celebrated "Poe Toaster" - dressed in a wide brimmed hat, concealing scarf and a nineteenth century caped coat - arrives in the very early hours of Poe's birthday and places a bottle of cognac and three red roses. Well, that is, he used to. Earlier this year, for the first time since 1949, there was no appearance. Perhaps it's just as well - in recent years the Toaster has been leaving poorly-written notes about things as mundane as major league football. A rugby friend of mine and I once made plans to be in the crowd that awaited the Poe Toaster's arrival, but we never did it. (The logistics of spending most of the night outdoors in downtown Baltimore on a work day were a little daunting.)

One of my all-time favorite horror movies is Roger Corman's 1964 "The Masque of the Red Death," starring Vincent Price and Jane Asher, based upon the short story by Poe. My seeing it had to do with my best friend Jimmy's sister Kathy. Kathy was fun. She once offered to take us to a movie in Hollywood - but what film? I wanted to see the Hammer film "Frankenstein," but Kathy insisted on seeing the Poe film because it starred Jane Asher, Paul McCartney's then girl friend. (She was actually Paul's mistress, but this was in a time when the news media took care not to debunk idols.)

Kathy, the president of one of the many Beatles fan clubs in L.A., felt the sort of extreme jealousy and hatred of her rival Jane Asher that could only make sense to a teenage girl. I remember her once saying, "I'd kill Paul before I'd let anyone else have him!" Despite the emotional angst, Jimmy and I loved the Masque. It was a happy discovery that the film was just as good when I watched it again on videotape in 1981 as it was when I saw it as an unsophisticated child in 1964. Seeing this film as a child led to an interest in the written works of Edgar Allen Poe - and my visit to the Westminster Burying Grounds with Julie.

Also buried there is a Baltimore hero and one of the great but generally unheralded figures of American military history, Gen. Samuel Smith (pictured above). He fought in two wars: the American Revolution and the War of 1812. It was in the latter war that he rendered his greatest service, defeating the British in the Battle of Baltimore and the defense of Fort McHenry, in 1814. (The McHenry for whom the fort is named is also buried in the Westminster cemetery...)

There is a nice statue to his memory on Federal Hill, which overlooks the Inner Harbor. Julie and I visited that, too.


6 Oct 2010

My daughter Julie flies back to Utah this afternoon; today she's doing a last trip to Potomac Mills Mall with her mother. I hate to say goodbye to my kids - today I am a sadder man. Photos from her trip here. I don't know when we'll see each other again.

The other day while digitizing cassettes - I am almost done with the Eighties - I came across James Brown's "Mother Popcorn," a 1969 song with puzzling lyrics. (Popcorn?) But then, James Brown made a career out of coming up with hits with odd lyrics. In fact, I remember a Saturday Night Live skit where Eddie Murphy did an impression of James Brown stepping into a hot tub and coming up with bizarre, spontaneous lyrics.

Well. As decidedly odd as "Mother Popcorn" is, in 1969 it inspired a singer named Vicki Anderson (She's not fat, tall or skinny legged) to come up with a response song, called "Answer to Mother Popcorn (I Got a Mother for You)" - a James Brown Production, no less. A youtube recording of it is here. Great bass line; I wonder who plays it? No doubt a Brown session man...

By the way, a hilarious article about the challenge of being James Brown's bassist is here. "James would give you some grunts, and then you’d have to play it back and say, 'Is this what you’re talking about?' As long as what you played made him feel good, that was it—whether it was what he meant in the first place or not." Ha!

I am now reading "Legends of the Outer Banks and Tar Heel Tidewater" by Charles Harry Whedbee, one of those souvenir books you'd find in a beach shop in the OBX. It's full of dubious tales of ghosts, pirates and preternaturally intelligent dolphins.

I'm also enjoying the Tour of Duty third season episodes - a vast improvement over the second season. I have nine left.

And I'm working my way though a weird 1961 flick starring Johnny Cash as a vicious, guitar-picking murderer: "Door-to-Door Maniac" (aka "Five Minutes to Live"). It also stars a very young Ronnie "Opie Cunningham" Howard and Burbank High grad Vic Tayback. Intrigued? You can watch it yourself here.


5 Oct 2010

ABBA's last Lp, released in late 1981 in time to capture the Christmas market, was "The Visitors." Unlike all of their previous albums, it is not cheery and optimistic at all and is somewhat edgy - classic Scandinavian melancholy. Even the cover: None of the globally-known pop stars are smiling and all are looking away from each other. It mirrors their weariness with the stress of the entertainment industry and each other - relationships breaking up.

The title song is a favorite of mine, the lyrics expressing rising paranoia to a well-produced synthesized beat. I remember the first time I heard it... it was the first digitally-recorded rock/pop song I'd ever heard (ABBA's Polar Studios was a pioneer with digital sound recording - even Led Zeppelin recorded there) and I was blown away by the clear, strong sound and precise production. Of course, it sounds even better on CD.

But I have always wondered about the last two songs on the album, "Slipping Through My Fingers" and "Like An Angel Passing Through My Room." The lyrics for both songs are here. The first song is a straightforward piece about the pangs of parenthood, seeing your child grow up and away from you. It may seem somewhat maudlin in tone, but I assure you, when my wife and I saw it sung during the otherwise wretched film "Mamma Mia" just after our last child moved out of the house and we became empty-nesters, it had considerable emotional impact. I hadn't heard the song in many years, and was shocked to realize that a tune I had considered to be mere pop - ABBA! - now had such meaning and craft.

The song fades out to the sound of a ticking clock, which provides the segue for the last song, the mystic, "Like An Angel Passing Through My Room," a lullaby. The first time I heard it, I wondered, "What was that about? And why the ticking clock as a linking device?"

I now have an interpretation, and from my basic research on the Internet I think it is unique. The ticking clock strongly suggests the passing of time. The child who was the subject of the first song is somehow now dead, and a grieving parent sits alone in her room. But the child's spirit comforts her, "like an angel passing through her room." The giveaway lyric for me is "Love was one prolonged goodbye," which is also exactly the theme of the first song. And the song's position on the Lp - the very end - is also suggestive. Finally, didn't Eric Clapton also suggest angels - Tears in Heaven - when his own son died?

Musically, the song is beautiful, just Frieda's voice (produced as if it comes from everywhere and nowhere in the sonic field) and Bjorn's synthesizers, no drums or bass - it is very otherworldly.

My interpretation makes sense if you read the lyrics to the second song - at least, nothing contradicts it. Were Benny and Bjorn suggesting the death of the child of the first song? Clever songwriters almost never reveal themselves except through their lyrics; the game is to make the listener personalize the song with meanings of their own. But if they were suggesting the child's death, they had come a very long way in emotional resonance from their early songs (Waterloo, Mamma Mia). Certainly, ABBA's "The Visitors" is a refreshingly stronger and more adult work than their previous Lps. And it holds up well; I still like listening to it. In fact, it is my favorite ABBA Lp by far.

Perhaps, however, I'm merely being influenced by a video for an odd and haunting Ditty Bops song, "Short Stacks," wherein the ghost of a little girl returns to comfort her grieving parents and to witness her brother grow up and away from the home. (The actual song lyrics seem to be more mundane - about courtship and/or breakfast. It's hard to tell. But the producer of the video heard the minor key melody and saw something else.)

That's the great thing about music - it is often infinitely customizable and I am easily programmed.


I have personalized an enormous amount of music in this way. Whenever I hear the wind blow on a sunny day I think of the opening clarinet theme to Myaskovsky's 21st Symphony. Why? Because when I first heard the piece in 1973 I was staring out the windows, watching the wind howl through our neighbor's eucalyptus trees.

Ravel's La Valse reminds me of my trips to Del Mar (California) race track with my father; I heard it play on the radio one afternoon there while I was waiting to pick him up.

Stravinsky's Ebony Concerto reminds me not of jazz, Benny Goodman or the 1940's (when it was written). I think of the subject matter of the books I was reading at the time I got to like the music: the American Civil War!

Those are the happy memories - there are painful ones, too. My father died when Brahms' German Requiem was on my mind. I cannot hear the "All Flesh is Grass" segment without thinking of his death and the funeral.

Life would be impossible without music...


4 Oct 2010

The other night I had a dream where my wife and I were dead but didn't know it. (This is a plot device I enjoy identifying in movies and television productions - the most recent celebrated entrant being 1999's "The Sixth Sense.")

I suppose if you don't know you're dead, you escape that urban legend business about if you die in a dream you'll really die. Well, that's what the spoken prelude to the 1964 William Castle film "The Night Walker" said, anyway... I grew up believing it. My question is, how is it possible to verify it? You can't exactly interview a dead person, can you? "Tell me, did you dream about dying just before you entered the Other Realm?"

I've been having fun around town for the past four days with my visiting daughter Julie; some photos here. We've been doing restaurants, malls and museums - and both of us going through the bins of her childhood and teenage stuff stored in the attic above the garage. We pitched a lot of junk she no longer wants, which is nice because it's that much less weight above the cars to possibly come crashing down. (I worry about that a lot.) By the way, when you have daughters you find yourself awash in little purses. I don't know why, but little girls seem to love having little purses.

We also found a poseable, tattooed, Barbie-sized Scary Spice figure in the Beauty and the Beast box - sacrilege! Julie swears that this wasn't hers, which she didn't have to tell me. (Like we'd ever buy our daughters tattooed dolls...) So I brought it next door (they have daughters), from whence it probably came. Reunited after nearly a decade!

Julie and I saw the Hubble 3D IMAX film at the Smithsonian, which was pretty spectacular. Well worth the $9. I had no idea repairing the Hubble Space Telescope while in orbit was such an incredible procedural chore. While at the Air and Space Museum I also batted a mug off a table and broke it - they didn't charge me. And earlier, we were standing at a table that was really a big computer read out designing a space module when we heard and felt a thud - a woman collapsed with an epileptic fit and had to wheeled out in a gurney. Julie described all this in her Facebook account with the comment, "D.C., it's been too long!"

We visited the Potomac Mills Mall - for those of you who do not live in the D.C. suburbs, this is a hugely popular over-large outlet mall that is designed like a bowling alley - one floor in a more or less straight line. It is an endurance test for any male and to be avoided at all costs. Walking one course down and back will prepare you for the Marine Corps Marathon. But I saw some interesting sights. When did the Casio G-Shock get so UGLY? And the "Spirit" Halloween store featured some truly ghastly little plastic models of children chewing on body parts. (My son tells me that zombie babies are all the rage.) One Hispanic Mom thought it was amusing to wheel her little kids by these to start them crying, the wretch.

The most terrifying experience of all, however, was stepping into the Spencer Gifts. EEECCCHHH. Calling that place tacky doesn't begin to describe it! My son says he's afraid of getting an STD on his shoes if he goes in. But I am sure the place has cornered the market on flatulence-inspired gift novelties, a sort of Lillian Vernon with gas.

And of course there's a Hot Topics (commercialized non-conformity with more than a twist of Goth) outlet. I have yet to step into one that didn't have an overbearing smell like a plastics plant off the Jersey Turnpike.

We also visited nearby IKEA. I want a job naming IKEA furniture: Snodblatt, Icky, Vikgrog, Fartsstrom, Oleo, etc. We had a meal in IKEA's cafeteria on a cloudy, rainy day. I always feel like a dreary Swedish socialist dining there.

When I picked Julie up at the Reagan National Airport I saw signs for the Abingdon Plantation, which I knew was an 18th C. site at the airport, now mere ruins. I suppose, being the Virginia Compleatist, I should still visit it someday. But, taking a note to look up the site on wikipedia, I found something I didn't know: the place is the ancestral home of every weeping willow (including the one in my front yard) in the United States!

From wikipedia (my italics): "While at Cambridge, Massachusetts in 1775 during the American Revolutionary War, John Parke Custis was presented with a weeping willow (Salix babylonica) twig by a young British officer on the staff of General William Howe, who had taken it from the famous weeping willow, and first of its kind in England, planted by Alexander Pope at Twickenham. The young British soldier had planned on planting his willow sprig wrapped in oiled silk along a stream on land he would seize from the Americans, but following his defeat, he decided to give the sprig to Custis. Custis planted the weeping willow twig at Abingdon and the resulting tree became the progenitor of all weeping willows in the United States. General Horatio Gates brought a slip of the Abingdon willow with him to his Rose Hill Farm on Manhattan, where he planted it at the entrance of his farm. The tree remained at what became the corner of Third Avenue and 22nd Street, where for many years it was known as 'Gates's Willow' until it was cut down in 1860."

Well, if it's in wikipedia it must be right, right? (Like if you die in your dreams you'll die in waking life.)

I used to play rugby union. I've always known I wasn't fit enough to play the variation known as rugby league, which is more of a running sport. I just discovered I'm also not crazy enough to play it.

That's all. Back to work.


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